Year: 2013

Libya aims to become tourist hotspot of the future

Ikram Bash Imam freely admits it is not an easy task to persuade a sceptical world that the “new” Libya, still awash with weapons and rival militias, is a holiday destination worth considering.

There is no question about the pull of attractions: more than 1 000 miles of pristine Mediterranean beaches, magnificent Roman and Greek ruins, palm-fringed oases and Saharan troglodyte caves. And while Libyan cuisine may lack the sophistication of its Maghreb neighbours, the country is remarkably unspoilt.

“Libya is a beautiful place and we are a hospitable people and we have much to show to visitors,” says Imam, tourism minister in a government whose prime minister, Ali Zeidan, was briefly, but embarrassingly, abducted by gunmen in Tripoli last month. (“It’s true that this is a very challenging issue,” she says.)

Young Libyans in the Mediterranean Sea off the coast of Tripoli. (Pic: AFP)
Young Libyans enjoy a dip in the Mediterranean Sea off the coast of Tripoli. (Pic: AFP)

Muammar Gaddafi’s violent demise at the hands of Nato-backed rebels two years ago has left the north African country open to the world for the first time in more than four decades. But the barriers to tourism are daunting: dozens of heavily armed militias, a desperately weak central government, jihadi terrorism and, to some, the threat of state collapse.

The scale of violence is exaggerated by the media, says Imam, receiving visitors and well-wishers at the Libyan stand at this week’s World Travel Market in London’s Docklands, a pulsating mass of laminated-badged industry insiders struggling under the weight of brochures, DVDs and posters.

“Everyone focuses on the violence but most armed clashes are between [Libyan] individuals and groups. It is not a war. When young people can get back to work and the economy is more normal and we have our elections and constitution they will hand in their weapons.”

Sensibly, Imam is taking the long view and moving cautiously. The short-term plan is first to build up domestic tourism and raise revenues to 4% of GDP over the next two years. International tourism comes after that. Diversifying employment away from the dominant energy sector is an important element of the government’s overall economic strategy.

Urgent work needs to be done. The Unesco-recognised world heritage sites at Leptis Magna and Sabratha are still badly neglected, though plans are under way to develop the lush hills of Jebel Akhdar, south of Benghazi, and Jebel Nafusa in the western mountains.

The ancient Roman city of Sabratha used to attract more than 20 000 foreign visitors annually before the 2011 conflict that ousted Muammar Gaddafi. Now the temples and mosaics overlooking the turquoise waters of the Mediterranean are usually deserted. (Pic: Reuters)
The ancient Roman city of Sabratha used to attract more than 20 000 foreign visitors annually before the 2011 conflict that ousted Muammar Gaddafi. Now the temples and mosaics overlooking the turquoise waters of the Mediterranean are usually deserted. (Pic: Reuters)

“We have to be realistic and we have to be honest about what we say and promote what we have,” says Imam. “The new Libya will not be closed to the world. We were cut off for too long. We don’t want to have hundreds of thousands of tourists coming without the infrastructure and services to receive them with high standards and in an honourable way. We need to lay the foundations for our industry.”

Libya is not entirely a blank slate. Modest growth began in Gaddafi’s final years, with some niche adventure travel and several spectacular hotels built in Tripoil – including the lavish Turkish-owned Rixos, where foreign journalists were virtually imprisoned during the revolution, and the supposedly secure Corinthia, the scene of Zeidan’s kidnapping. Later this year an international marathon is being held at Ghat deep in the Sahara.

Other practical problems include the difficulty of getting tourist visas from Libyan embassies: in one change, group visas can be obtained by travel companies on arrival. And friendly governments, including the UK, advise against all travel to parts of the country – including Benghazi and Derna – and all but essential travel elsewhere in Libya. The Foreign Office cites “a high threat from terrorism including kidnapping”. It adds: “Violent clashes between armed groups are possible across the country, particularly at night. You should remain vigilant at all times.”

Imam also agrees that Libya’s identity as a conservative Muslim country poses problems for mass tourism from the west. But it should, not, she suggests, be an insuperable one. “When I am in London and it’s raining, I need an umbrella. Yes we are Muslim society and we don’t want to offer alcohol. If people want alcohol they can go elsewhere.

“Our plan is that when you come to Libya you will enjoy the Libyan experience. Libyans are not closed-minded. But visitors must respect the country and its values.”

Libya’s problems are not unique. Nearby stands in the Middle East and North Africa section at the World Travel Market include a large but very quiet Iraqi one – where gaily coloured Beduin carpets and brass coffee pots have no obvious effect on countering the negative impact of Baghdad’s repeated suicide bombings. Tunisia, one of the few relatively bright spots of the Arab spring, is moderately busy. On the Egyptian stand – complete with plaster sphinxes – the emphasis is on Red Sea resorts far from the tensions of Cairo. Palestinians are trying to promote Jerusalem and Bethlehem in competition with Israel.

Lebanon’s stand displays fine wines but is also quieter than usual – tourist revenues affected by the war next door. Syria has not even been represented for the past two years. “There’s no point,” said a glum Arab tour operator. “It’s suicidal to even go there.”

Black models protest against racism in Brazil’s fashion industry

Some 40 black models, most of them women, have staged a topless protest in Rio de Janeiro against the low presence of Afro-Brazilians on fashion catwalks.

“What strikes you, your racism or me?” one of the female demonstrators wrote on her chest during the protest late Wednesday timed to coincide with Rio Fashion Week.

The demonstration also coincided with the signing of a deal between the Fashion Week organisers and the Rio ombudsman’s office setting a 10% quota for black models in fashion shows, the G1 news website reported.

“This agreement crowns a joint initiative that can open a space that does not yet exist,” said Moises Alcuna, a spokesperson for Educafro, a civil rights group championing the labor and educational rights of blacks and indigenous people.

Members of the Educafro organisation protest, demanding the increase in the number of black fashion models during the Rio Fashion Week. (Pic: AFP)
Members of the Educafro organisation protest, demanding the increase in the number of black fashion models during the Rio Fashion Week. (Pic: AFP)

More than half of Brazil’s 200-million people are of African descent, the world’s second largest black population after that of Nigeria. But Afro-Brazilians complain of widespread racial inequality.

“If we are buying clothes, why can’t we parade in the [fashion] shows,” asked a 15-year-old model taking part in the protest. “Does that mean that only white women can sell and the rest of us can only buy?”

“Claiming to showcase Brazilian fashion without the real Brazilians amounts to showing Brazilian fashion [only] with white models,” said Jose Flores, a 25-year-old former model who now works in advertising.

After 13 years of debate, President Dilma Rousseff last year signed a controversial law that reserves half of seats in federal universities to public school students, with priority given to Afro-Brazilians and indigenous people.

In June 2009, the Sao Paulo Fashion Week (SPFW) – Latin America’s premier fashion event – for the first time imposed quotas requiring at least 10% of the models to be black or indigenous. Previously, only a handful of black models featured among the 350 or so that sashayed down the catwalk – usually less than 3%.

But in 2010, the 10% quota was removed after a conservative prosecutor deemed it unconstitutional.

Art: The ‘Man of a Thousand Faces’ returns to Nigeria

Photographer Samuel Fosso, whose renowned self-portraits have made him one of Africa’s most popular artists, is exhibiting for the first time in Nigeria, where he grew up in the grip of the brutal Biafran war.

Fosso, a Cameroonian national, is known for taking chameleon-like photos of himself dressed as a range of figures from black African and American life – from musicians to pop-culture icons to political leaders.

Nicknamed the “Man of a Thousand Faces”, his pictures have been shown in major museums across Europe, in a career that has taken him far from Nigeria, his mother’s homeland.

“It’s very emotional for me to be here,” the 51-year-old told AFP as he premiered his latest work at the fourth edition of Lagos Photo, an international photography festival.

Fosso’s appearance is a major coup for organisers of the annual festival, which began last week and this year brings together some of the greatest names in contemporary photography, including Britain’s Martin Parr and Spain’s Cristina de Middel.

“When I suggested bringing Samuel Fosso, everyone told me, ‘You’re too late’, or ‘He’s too well-known’,” said the founder of the exhibition, Azu Nwagbogu.

“Then I contacted him via Facebook and he spoke to me in Igbo. I was shocked! I didn’t know about this part of his life with Nigeria.”

Fosso needed nearly a year of preparation to produce “The Emperor of Africa”, his piece for the exhibit – a collection of five self-portraits in which he dresses as former Chinese Communist Party chairman Mao Zedong and through which he explores the relationship between China and Africa.

Samuel Fosso poses next to a series of self-portraits in which he is dressed as the former Communist Party chairman Mao Zedong. (Pic: AFP)
Samuel Fosso poses next to a series of self-portraits in which he is dressed as the former Communist Party chairman Mao Zedong. (Pic: AFP)

He also needed a production director and about 10 other people, including make-up artists, technicians and a costume designer for a day’s shoot in the French capital, Paris.

This is a far cry from Fosso’s first studio, in the Central African Republic, where at the age of just 13 he began photographing himself using the unused ends of the rolls of film brought in by his clients.

“But it was already a major production at the time,” said gallery owner Jean-Marc Patras, who has represented him exclusively since 2001.

“Even in the 1970s, Samuel left nothing to chance, be it make-up, costumes or lighting.”

Uprooted by Biafran war
Fosso has no photos from his own childhood but says he has never forgotten the traumatic images of the Biafran war, which claimed nearly one million lives between 1967 and 1970 after the southeastern region broke away and declared itself a republic.

Aged barely five, Fosso lost his mother and found refuge in the forest with his grandparents, both of them from the Igbo ethnic group at the centre of the conflict.

“Thank God I had a robust constitution,” he said.

Fosso was the only child of his age to survive from his entire family. The images of burnt and disfigured bodies, the bloated stomachs and twisted limbs of malnourished children and hunger have remained with him, he says.

Aged 10, Fosso left his village in Nigeria, Ebunwana Edda, to work in his uncle’s shoe-making shop in Bangui, the capital of the Central African Republic.

Three years later, in 1975, he opened his first photographic studio with the motto: “With Studio National, you will be beautiful, stylish, dainty and hard to forget.”

Once the shop shut in the evening, he made himself up and got in front of the camera.

Inspired by magazine cuttings, Fosso imitated his idols – black African and American musicians.

He bought himself a pair of two-tone platform leather boots to dress up as Cameroonian-Nigerian singer Prince Nico Mbarga, whose Highlife-style song Sweet Mother was then a radio hit.

Fosso took the photos for himself and as a lasting memory for his as-yet unborn children and his maternal grandmother still in Nigeria, who repeatedly told him when he was a child that he was “the best-looking in the village”.

Until 1993, that is, when French photographer Bernard Descamps, on the hunt for talent to show at a new African photography festival, arrived in Fosso’s studio.

Impressed by his self-portraits, Descamps asked Fosso if he could take the negatives with him back to Paris. A year later, Fosso received an Air Afrique ticket for Mali, where he would win his first award at the Bamako Encounters, a photo show that has become a major biennial exhibition.

Six-figure price tags
Today, Fosso’s self-portraits have been included in collections at London’s Tate Modern and the Pompidou Centre and Quai Branly museums in Paris.

Samuel Fosso poses next to a self-portrait, which sees him dressed as former Ghanaian leader Kwame Nkrumah. (Pic: AFP)
Samuel Fosso poses next to a self-portrait, which sees him dressed as former Ghanaian leader Kwame Nkrumah. (Pic: AFP)

The wealthy Congolese entrepreneur Sindika Dokolo, a major collector of contemporary African art, bought three series of self-portraits from Fosso, including “African Spirits”, a homage to major figures of the pan-Africanism movement and the fight for civil rights in the United States, which carry a price tag of at least $135 000.

But Fosso has not altogether left his studio in the Miskine district of Bangui.

Despite his success and daily hardships in the Central African Republic, which is riven by instability after rebels overthrew the previous government in March, he said simply: “I’ve got my own way of doing things there.”

And if he ever leaves, he says, it will not be for Europe but for his village in Nigeria, where his wife Nenna, mother of their four sons, was born.

Cecile De Comarmond for AFP

Alek Wek talks African fashion and self-image

“You can take the girl out of South Sudan but you can’t take South Sudan out of the girl.”

These were the words of international model Alek Wek when Mercedes-Benz Fashion Week chairperson Dr Precious Moloi-Motsepe described her as a “child of the soil” this past weekend.

“Alek’s story is a story that excites all of us. A girl from the continent who was a refugee that went onto conquer the world,” said Moloi-Motsepe.

Wek was in Johannesburg to attend Mercedes-Benz Fashion Week Africa and to also serve as a guest judge at the African Fashion International Africa Fashion Awards.

Alek Wek speaking at a press conference in Johannesburg on November 2. (Pic: Supplied)
Alek Wek speaking at a press conference in Johannesburg on November 2. (Pic: Supplied)

Speaking at a press conference on Saturday afternoon, Wek, who made her modelling debut in 1995, said that African fashion can change the global fashion industry – and the time for this is now.

“Together we can make a profound change. It gives me chills when I think about it.”

“If I can help in terms of wearing these wonderful designs and by connecting designers so that they have the opportunity to be creative and the international market can have the chance to place an order and see how much talent there is on this continent, then I will be happy to,” Wek said. It was no surprise, then, that she was wearing a dress by South African designer Bongiwe Walaza.

Wek is from the Dinka ethnic group in South Sudan but fled the country for Britain along with her family in 1991 to escape the civil war. She later moved to the United States.

Wek admitted that it wasn’t easy breaking into the fashion industry. People constantly referred to her looks as “bizarre, weird and different” while she has never felt anything but normal.

“From a very early age, my mother embedded in us that as a woman it is not the makeup, the dress or the shoes that makes you the woman that you are. It’s truly who you are inside and if I didn’t have that I don’t know if I would have had the capacity to be able to believe in myself and embrace myself.”

Wek said her mother always told her that as women, one has to respect one another because respect is love.

“We all have different qualities and that is what makes us gorgeous as women. In the end, fashion draws so much inspiration from this continent so why not celebrate the women from Africa?”  Wek asked.

“Once I was out there spreading my wings and having to make my own decisions, everything my strict mother had taught me started to come into place and make sense.

“And whoever said I was weird I could say to them, ‘You’re weird! You’re bizzare!’ There is room for every kind of woman within the fashion industry.”

During her brief talk, she also touched on the importance of education, saying that every young person, regardless of the field they go into, should educate themselves.

Rhodé Marshall is the Mail & Guardian Online’s project manager and unofficial entertainment reporter. She started as a radio reporter and producer in Cape Town, before jumping into online news. With one hand glued to her phone and the other to a can of Coca-Cola, she is a pop culture junkie. Connect with her on Twitter

Linguistic adventures: Learning Mandarin in Botswana

My friend Sedimale recently signed up for Chinese language classes at the University of Botswana, figuring it would be an interesting challenge to add another language to her multilingual ambitions. “I might even wind up as a Mandarin teacher, go on a work exchange programme and move to China and find myself a nice Chinese husband,” she told me half-jokingly. Several lessons later, she seems to be having the time of her life. Apart from the empowering experience of learning a new language, she has made new friends from diverse backgrounds and her world has opened to a different culture.

A decade ago no one would have imagined that Mandarin Chinese would be a popular language to learn in Botswana. Nowadays it is fast gaining popularity in urban areas, with both the young and old vying for a place in the evening and weekend classes at the University of Botswana in Gaborone.

Due to China’s evident growing economic influence and the large number of Chinese in the country,  many Batswana are opting to learn more about the country, its culture, history, lifestyle and of course language, especially as there are many opportunities for cross-cultural exchanges.

(Pic: Flickr / ilamont.com)
(Pic: Flickr / ilamont.com)

Botswana and China share good economic ties and a cordial friendship. China is Botswana’s third largest trade partner and one of the country’s big diamond consumers. In 2009, it was an estimated that about 6000 Chinese have made Botswana their home, with most of them settled in urban areas where they operate their businesses from. The Chinese are major players in the local construction, manufacturing and service provision industries.  In the past, China, through the local embassy, has constructed two primary schools and a multi-purpose youth centre. Earlier this year, China donated R100-million to Botswana for the implementation of various projects. One of them is the Community Natural Resource Management programme, which offers community-based organisations training, mentoring and coaching on resource management.

But away from official visits and trade agreements, the ties between the locals and the Chinese who live here aren’t that clear. There’s often a communication breakdown as many Batswana are not fluent in English, while the Chinese here only speak Mandarin. The language barriers have made it difficult for both parties to establish friendships and easy relations. Although they are often accused of selling cheap products, most of the Chinese-owned stores target low-income earners, and prices are often linked to the quality of the sold product. Even neighbouring Zimbabweans who work and plight their trade in the country regularly purchase goods from the Chinese stores here to re-sell at home.

There’s no shopping complex or mall in Gaborone that does not have a Chinese store. Most of them sell everything from green tea to hair pieces, clothes, shoes, bags and beauty products. There’s a local joke that the only thing you can’t get from a Chinese store is a baby!  The prices are usually low but bargaining is the order of the day. I have often bought my son toy cars and dresses for myself after negotiating a discount of 5 to 10 bucks per item.

The Confucius Institute at the University of Botswana, where Mandarin lessons are taught, opened in 2009. It now has 10 teachers, several volunteers and over 2000 students. To date, it has awarded 60 scholarships and a further 260 are expected to be rolled out between 2013 and 2016. Chen Zhilu, director of the institute, has confirmed the high demand for Chinese language lessons. Chinese is also a language option in the university’s BA Humanities programme and is one of the 25 top-ranked courses.

Learning Chinese in school is also an option – the institute has sites in two revered private schools, Westwood and Maru-a-pula, and there are plans to open sites in public schools too.

I will be taking up Chinese lessons next semester. In the meantime, my friend Sedimale has been teaching me the basics every time we meet. A few days ago, I caught my partner off guard when I clasped my hand to my heart and declared: “Wo ai ni” (“I love you” in Mandarin). He gave me a blank stare but this could all change in the next few months if I can convince him to join me in this linguistic adventure.

Keletso Thobega is a copy editor and features writer based in Gaborone, Botswana.