Côte d’Ivoire puts hope in first feature film on conflict years

Chased by a lynch-mob, a young man runs for his life – closely watched by director Philippe Lacote who is shooting the first feature film on the bloody chaos that rocked his native Côte d’Ivoire from 2002 to 2011.

The film “Run”, shot in Bassam near the Ivorian capital Abidjan and directed by Philippe Lacote, tells the story of the 2010-2011 political and military crisis in Côte d’Ivoire. (Pic: AFP)
The film “Run”, shot in Bassam near the Ivorian capital Abidjan and directed by Philippe Lacote, tells the story of the 2010-2011 political and military crisis in Côte d’Ivoire. (Pic: AFP)

Run, both the film title and the main character’s name, chronicles the slide from innocence to violence and crime in this resource-rich country that was once a beacon of stability in west Africa. Today, the wounds of war remain raw, politicians still trade crude insults and the former president awaits trial for crimes against humanity.

“The film’s main question is, ‘How did we come to such violence?'” said the Franco-Ivorian director, lamenting the thousands of people killed during a decade of rebellion, civil war and post-election violence.

Lacote, who finished shooting in September, hopes his film will be both cathartic for victims of the crisis and instructive for younger Ivorians, but also revive cinema in a country where only two of the 80 movie houses are still in use.

His project drew attention when presented in pre-production at the 2012 Cannes film festival. And while the film has touched some nerves at home, the state has agreed to finance seven percent of its €1.8-million (R24-million) budget, with the rest coming from France and Israel.

The buzz has also brought native son Isaach de Bankole – who appeared in the 2006 James Bond thriller Casino Royale and Lars von Trier’s 2005 film Manderlay – back home for the first time in 17 years to play a role in Run.

Based on real events
The story centres around a peaceable teenager who is on track to become a village “rainmaker” or sorcerer but instead joins the Young Patriots, followers of the former president Laurent Gbagbo who are capable of extreme violence.

“When I was filming the Young Patriots, I asked one of the youths how he came to join them,” says the 42-year-old Lacote of an earlier documentary. “He answered, ‘I have three lives!’ – and that became the basis for writing the film.”

Although fiction, Lacote’s film is grounded in real events. “There are scenes that remind me exactly of what I lived through during and after the war,” says Abdul Karim Konate, 32, who plays the role of Run.

Some 3 000 people lost their lives in the violence triggered by Gbagbo’s refusal to admit defeat in 2010 elections to his arch-rival Alassane Ouattara, who finally took office in May 2011.

“I was there in Yopougon (a Gbagbo stronghold), there where things really got hot,” said Konate. “We are telling the story. We need to tell it to those who have not seen it.”

Run is Lacote’s first full-length feature film. He calls it “indirectly political” and asserts his “right to approach the subject matter via fiction” while admitting that he finds himself on “slippery ground”.

Starting from scratch
“We have already had problems,” the director conceded. “We were filming in a former headquarters of the FPI (Gbagbo’s Ivorian Popular Front party) occupied now by the Ivorian army. The FPI press accused us of making a film to gather evidence against Laurent Gbagbo,” who is jailed in The Hague awaiting trial by the International Criminal Court.

“My objective is not to say who is right or wrong. It is to recount the crisis seen through an individual prism,” Lacote said.

Officials in charge of the country’s film industry also hope Run will help get Ivorian cinema back on its feet.

The film business here is currently “flat on its face”, said Mamidou Coulibaly-Diakite, who manages public funds earmarked for Ivorian cinema. Prominent Ivorian directors such as Henri Duparc, Gnoan M’Bala, Yeo Kozoloa and Fadika Kramo-Lancine have either died or have not worked in more than a decade.
“We have to start everything again from scratch,” he said.

In the long run, Coulibaly-Diakite said he dreams that Côte d’Ivoire, formerly the economic and financial hub of west Africa, can rival Nigeria’s thriving cinema scene.

Run is due to be released in 2014 and distributed in France and Germany, and to be screened at several festivals, according to the film’s French producer Claire Gadea.

Christophe Koffi for AFP

Zimbabwe’s coffee farmers struggle amid global boom and political gloom

A misty dawn has not yet given way to daylight in Zimbabwe’s eastern highlands. Lenard Moyo, a coffee farmer near Chipinge town, is prising red arabica beans out of their trees and putting them in his bag – as he does every morning during harvest season. “It’s hard when it’s so cold outside, but we have to pick them early,” he said.

A woman harvests ripe coffee berries. [Pic: Reuters]
A woman harvests ripe coffee berries. [Pic: Reuters]
Zimbabwe’s coffee belt has the perfect growing conditions for the beans: high mountain peaks and cool climates, and the country used to be famous for its “super-high-quality” product, slowly sun-dried, and tasting smooth and fruity. In the 1990s it produced some of the best coffee in the world, alongside South America and Kenya, generating crucial foreign currency and a livelihood for many labourers and small-scale farmers, as well as the big commercial farms.

But today the industry is in decline: many of the mills have been abandoned, farmers are in debt, and Zimbabwe produces just 60 “bags” of coffee beans a year compared with 250 bags in 1988 – with one bag amounting to 60 tonnes of coffee.

Earlier this year the European Union announced €10m (R132-million) in aid to Zimbabwe’s medium and small-scale farmers, in an attempt to revive the industry. But there’s a catch. “Coffee is an important crop and we’ll consider funding requests from small farmers provided the land involved is not in dispute,” Aldo Dell’Ariccia, head of the EU delegation to Zimbabwe, told the CAJ news agency.

Moyo said this caveat disqualified the majority of farmers. “Most of our small coffee plots are on land being contested in court by former white farmers. We’ll simply not qualify,” he said.

The disputes began in 2000, when young militants loyal to the president, Robert Mugabe, stormed white-owned farms to reclaim the land. At the time, Moyo was what was known as an “out-grower” – a black farmer owning a small plot of land next to a large commercial farm, relying on his neighbours for finance, expertise and machinery.

Production plummets
“First, [the militants] pruned down our coffee beans and burned hectares of trees in a week of rage. Coffee drying pens were turned into nurseries for marijuana and wild vegetables,” he said. “The new farm owners wanted instant profit but a coffee tree once planted takes three to five years to mature.”

Production plummeted as the new landowners could not secure bank loans to buy fertilisers or repair ageing infrastructure. Many were new to the business, and lacked the expertise to keep quality high.

In turn, international buyers began to shun Zimbabwean coffee, and in 2010 the Mutare Coffee Mill, considered one of the best in Africa, was forced to shut down. It required at least 4 000 tonnes of coffee to operate profitably but was receiving just 300.

And while Zimbabwean coffee growers struggle, elsewhere the industry is booming. Ten years ago the average cost of a tonne of coffee was $1 400, now it can fetch up to $4,000 (R39 400), according to the International Coffee Organisation.

“Zimbabwe is losing billions of dollars annually as the price of coffee has increased to about $3 per pound, up from $1 per pound in the 90s,” Gifford Trevor, president of Zimbabwe’s Coffee Growers Association, told News24.

Most of the country’s coffee farmers lack cash reserves to support themselves when the crop fails or yields are low, according to World Vision. The charity is training farmers and offering much-needed supplies such as fertilisers, irrigation systems and pesticides. But the farmers are still unable to compete with better organised growers in countries such as Rwanda, Kenya and Malawi.

Suppliers at a disadvantage
The global coffee industry is also stacked against suppliers, with the bulk of the profit going to those further up the chain.

In August, on a sponsored trip to Johannesburg, 39-year-old Moyo tasted his first cappuccino. “I thought it was bitter lemon,” he said. He was particularly horrified to pay $3 for one cup, compared with the $5.30 he receives for a bag of raw coffee beans.

Peter Multz, a former consultant for the Dutch charity SNV, which works with Zimbabwean farmers to improve their business skills, said most of the profit went to shippers, roasters and retailers. He said Zimbabwean farmers also faced particular problems.

“Sometimes the coffee is delayed at border crossings for up to a week, and without proper facilities the beans go bad. Sometimes buyers have to pay a bribe to let their coffee shipments go through,” he said.

With a more stable economy and western governments starting to release aid, Zimbabwean farmers hope that the country’s coffee industry will recover. But for Moyo times are still hard: “I can’t even pay my farm workers and coffee pickers properly,” he said. “Sometimes we reward them with milk, soya meals, and clothes after every harvest. As we say here, cash is a crunch.”

Ray Mhondera for the Guardian Africa Network. Mhondera is editor of The Africa Scientist Magazine.

Stretching resources in Kenya’s ‘kadogo’ economy

We Kenyans are always in a rush. Life in this country is an unending quest to make that extra coin or stretch the available one in our booming economy. Consider the situation three years ago when Kenyans were constrained by the rising global prices of fuel and maize, the national staple food. The price of maize flour squeezed hard at the already empty pockets of slum dwellers, who responded in the popular Unga revolution street protests.

A woman waits for customers outside her shop in a Nairobi slum. (Pic: Reuters)
A woman waits for customers outside her shop in a Nairobi slum. (Pic: Reuters)

While urging the government to reduce the price of maize flour from a high of 120 Kenyan shillings (around R12) to 30 shillings (R3), slum dwellers invented the “kadogo – or small – economy to stretch their fast-depleting resources. Not only could they now afford three square meals on less than a dollar a day, but the country’s manufacturing industry followed suit.

In the kadogo economy you get to eat according to the amount of money you have. With one rand, you can slurp on steaming bone soup and a mound of ugali, a cake made of corn. A dish of sardines costs nine shillings (50c) and for the same amount one can afford cooking fat. A spoon of sugar costs a shilling (11c), tea leaves are doled out in ever smaller packs for the same amount. Margarine, detergents, soaps, and candles, are halved and quartered to ever smaller amounts that range from a few grams to a hundred grams. “Fifty bob” – 50 shillings or about R5 – would be enough for three square meals a day. Manufacturers have taken note of the kadogo economy and these days even shops in middle class neighborhoods stock products in medium, large, and tiny packs.

Kenyans also noticed that sending money to friends and relatives using Western Union, MoneyGram, and the national postal service was costly. We skirted around this problem and bought phone credit instead, then sent it to the receiver who would convert the credit into cash from the nearest shopkeeper, who earned a small commission. It’s how the world’s first and most successful mobile money transfer system, Mpesa, was born. Every year billions of dollars are exchanged on the platform.

Judging by the numerous civil servant salary strikes, we have landed on the hard times yet again. In a country blessed with entrepreneurial zeal and ingenuity it came as a surprise when the government last month arrested five officials of a group that had found a solution to its neighborhood’s economic woes. The destitute residents of the sprawling Bangladesh slum near the coastal resort of Mombasa, a place where jobs are scarce and the Kenyan shilling is uncommon, introduced Bangla-Pesa (“Bangla-money”) as an alternative currency.

Informal currency
Bangla-Pesa is a voucher or promissory note, which can be exchanged for cash or services at a later date. The system has been seen as an effort to strengthen the economy of the informal settlement.

For instance, a bicycle operator may have the capacity for 20 customers a day, but in general only has 10. He can give rides to other people in exchange for Bangla-Pesa, which he can trade for goods or services – like tomatoes or a haircut – that another Bangla-Pesa vendor may offer. This increases the overall efficiency of the market and helps the community during tough economic times.

Some 200 businesses have agreed to accept the currency, and in return, each has been awarded a credit of 400 Bangla-Pesa. These credits circulate among registered members only. Bangla-Pesa charges no interest on transactions and its membership comprises 75% women, who live below the poverty line and run their own small businesses. Participating businesses include laundries, tailors, builders, salons, and people providing mechanical, electronic repairs and farming services.

Bangla-Pesa is an informal currency, which can be exchanged for cash or services.
Bangla-Pesa is an informal currency, which can be exchanged for cash or services. (Pic: Koru Kenya)

In June, six members of the initiative found themselves guests of the state, and were held in police cells for three days. They were initially jailed on suspicion of being members of a secessionist group. When this was found not to be the case they were charged by the Central Bank of Kenya with forgery for holding a printed voucher. The penalty? A possible seven years in jail.

One of Africa’s top investment bankers, Jimnah Mbaru, rubbished the accusation, saying on Twitter: “Bangla-Pesa is just a promissory note liquidatable at a later date. It is discountable in the secondary market. It is not illegal.”

In fact no one has ever been arrested for using Bangla-Pesa’s predecessor, Eco-Pesa, which was formed in Kongowea in 2010, to help clean up trash in the crammed settlement whose dense population lacks the infrastructure to dispose of trash and sewage. Local youths were paid five Eco-Pesa for each trash bag they filled and deposited at the nearest landfill. They then spent this cash at local businesses to buy goods and services from other local sellers or exchanged it for shillings. After three months of using Eco-Pesa, the monthly income of businesses in Kongowea rose by 22%, and the settlement rid itself of 20 tonnes of trash.

Now tongues are wagging among Nairobi’s chattering class that the financial institutions are leaning heavily on the government to come down hard on the Bangla-Pesa founders and members because they fear the alternative currency may appeal to the masses who are daily looking for a way to escape the excruciating high interest rates charged by banks.

In August, the director of public prosecutions dropped all charges against the Bangla-Pesa group members on the basis that they have not broken any Kenyan laws. They are currently waiting for the Central Bank to release their confiscated vouchers and for the government to officially recognise the programme.

In the meanwhile, the 12 000 inhabitants of the Bangladesh slum will have to continue hustling, hoping for an opportunity to make an extra coin or to stretch the ones they have.

Munene Kilongi is a freelance writer and videographer. He blogs at The Peculiar Penguin.

Boys of Soweto: a love letter to township style

Boys of Soweto is the vividly shot tale of a dapperly-dressed circle of gentlemen, a group of suave-conscious South Africans known as Boys of Soweto. The short film, shot in just a day’s work, runs like a high-end fashion spread set to jazzy tempo, a love letter to both style and township beauty, a union perhaps most colorfully represented by Boys of Soweto. Alyssa Klein interviewed director Meja Shoba for Okay Africa.

Boys of Soweto, a vividly shot tale of a dapperly-dressed circle of gentlemen.  (Pic: Okayafrica)
Boys of Soweto, a vividly shot tale of a dapperly-dressed circle of gentlemen. (Pic: supplied)

What’s the concept behind the film? What’s the story?
The concept is about six well-dressed men who make a point to look good in order to vie for the attention of a beautiful young lady who routinely passes their way. One of the gentlemen fortuitously gets close to her, and they all quickly learn that her affection is won by a simple and sweet gesture.

Is it your first short film?
I’m in UCLA’s graduate film program studying directing, so I have shot a few short narrative films already, as well as a short documentary on South African kwaito-electro duo Dirty Paraffin.

What is the most important aspect of the film? The fashion, the guys or the story?
After meeting and plotting with the guys of Boys of Soweto, we all decided to organically integrate fashion and township elegance as part of the narrative, not as independent entities. I wanted to let the sensibility of story be the core of the film, and let all other elements such as the guys’ chemistry and rapport with each other, the fashionable suits, the beautiful young lady, and the Soweto location all enhance the look and feel of the film.

Who are the Boys of Soweto?
Boys of Soweto is a South African fashion and style group consisting of Bobo Ndima, Mbali Bangwayo, Pirates football player Manti Molemo Moholo, Kronic Bonisiswe Nhleko, and Morgan Kgobane. The group has an urban sophistication to their gentleman style. They are lovers of all things fashion and are quite known in the Johannesburg scene.

What do you guys have upcoming?
At the moment I’m scripting an African inspired Charlie’s Angels-esque heist film that I wish to shoot in Johannesburg. And as for Boys of Soweto, they recently were commissioned by Palladium boots for a photo shoot and continue to keep pushing their group to the public. I have a strong feeling I will be working with the guys very soon! It was fun collaborating with them.


Alyssa Klein for Okay Africa

With more than half the population in many African nations under 25, the bright continent is currently undergoing an explosion of vibrant new music, fashion, art and political expression. Okayafrica is dedicated to bringing you the latest from Africa’s New Wave.

Tunisian women waging ‘sex jihad’ in Syria: minister

Tunisian women have travelled to Syria to wage “sex jihad” by comforting Islamist fighters battling the regime there, the country’s Interior Minister Lotfi ben Jeddou has told MPs. “They have sexual relations with 20, 30, 100” militants, the minister told members of the National Constituent Assembly on Thursday.

Rebel fighters scouting in the Syrian city of Homs. (Pic: AFP)
Rebel fighters scouting in the Syrian city of Homs. (Pic: AFP)

“After the sexual liaisons they have there in the name of ‘jihad al-nikah’ – (sexual holy war, in Arabic) – they come home pregnant,” Ben Jeddou told the MPs. He did not elaborate on how many Tunisian women had returned to the country pregnant with the children of jihadist fighters.

Jihad al-nikah, permitting extramarital sexual relations with multiple partners, is considered by some hardline Sunni Muslim Salafists as a legitimate form of holy war. The minister also did not say how many Tunisian women were thought to have gone to Syria for such a purpose, although media reports have said hundreds have done so.

Hundreds of Tunisian men have also gone to join the ranks of the jihadists fighting to bring down the regime of President Bashar al-Assad. However, Ben Jeddou also said that since he assumed office in March, “six thousand of our young people have been prevented from going there” to Syria.

He has said in the past that border controls have been boosted to intercept young Tunisians seeking to travel to Syria. Media reports say thousands of Tunisians have, over the past 15 years, joined jihadists across the world in Afghanistan Iraq and Syria, mainly travelling via Turkey or Libya.

Abu Iyadh, who leads the country’s main Salafist movement Ansar al-Sharia, is the suspected organiser of a deadly attack last year on the US embassy in Tunis and an Afghanistan veteran. He was joint leader of a group responsible for the September 9, 2001 assassination in Afghanistan of anti-Taliban Northern Alliance leader Ahmad Shah Massoud by suicide bombers. That attack came just two days before the deadly Al-Qaeda attacks on the World Trade Centre in New York and Pentagon in Washington. — AFP