Year: 2013

‘Female Drogba’ aims to inspire African athletes

Côte d’Ivoire’s Murielle Ahoure made history on Monday by becoming the first female African sprinter to win a medal in the history of the World Athletics Championships in the 100 metres.

The 25-year-old – the daughter of General Mathias Doue a former chief of staff of the Ivorian army until he was sacked in 2004 by ex-president Laurent Gbagbo – is keen to add another chapter of history by becoming the first African woman to win a medal in the 200m.

Those heats begin on Thursday with the final on Friday.

Ahoure, who reached both the 100m and 200m finals at last year’s Olympics, showed in relegating defending world champion Carmelita Jeter into third in the 100m that she has the mental strength to cope with the major finals.

Even before the final, her status back in Côte d’Ivoire was assuming huge proportions, rivalling that of the national football team and their iconic striker Didier Drogba.

“Am I as well known as the national football team? Yes I am. They (the people) call me the ‘female Drogba’ in terms of being a sporting star… not much pressure there then!” laughed the engaging law graduate.

“When I won world indoor silver in Istanbul last year I returned to Côte d’Ivoire and I couldn’t believe my eyes as there was a huge crowd to greet me at the airport. It was crazy!”

Murielle Ahore won a silver medal in the women's 100m at the 2013 IAAF World Championships in Moscow on August 12 2013. (Pic: AFP)
Murielle Ahoure won a silver medal in the women’s 100m at the 2013 IAAF World Championships in Moscow on August 12 2013. (Pic: AFP)

Ahoure has remained very much an Ivorian despite a bohemian lifestyle from an early age which saw her sent to France aged three and then on to the United States where she was educated.

One of her ambitions is to be a role model to other African athletes and stop them from moving abroad and accepting payment to change nationality and run for other countries.

“This medal was for [Côte d’Ivoire], no other country,” said Ahoure.

“I think it is sad so many African athletes feel it is necessary to move abroad and run for other countries.

“At the same time I understand as they have to make a living and an athlete’s life is a precarious one, one lives with the ever present fear of injury which can end your career.”

While Ahoure is grateful to the United States for having provided her with an education and with her future career assured as a lawyer, she said she wants her exploits on the track to persuade other Africans to follow her example.

“I hope that I can serve to be an inspiration to other African athletes and inspire other young Africans to take up athletics.

“The pride I feel when I put on the national team vest is huge and I repay their faith in me by putting [Côte d’Ivoire] on the athletics map. This too could be the reward for other African athletes.”

Pirate Irwin for AFP.

Senior citizens? No, senior students

At 5pm every day, the streets of Nairobi are flooded with people spilling out of their offices and queuing at the nearest bus depot to catch their buses and matatus home. Joyce is one of them but she’s not rushing to get home in time for her favorite soapie or a glass of wine. She’s rushing to get to class. Joyce is a part time MBA student. Big deal, you think?  Well, it sort of is.

A mother of three adult children, 56-year-old Joyce is four years away from retirement. She is employed as a secretary at a government ministry in Kenya. When she started working thirty years ago, her certificate in Secretarial Studies from the Polytechnic of Kenya was enough to get her a job and enable her to house, clothe and feed her children. But, as it happens, times changed, and Joyce had to change as well. A certificate will not get you very far in Kenya today, and anything less than a university degree is not considered a worthwhile qualification. At her age, Joyce is not trying to get a promotion – the time for that has passed. She’s trying to learn as much as she can now, to prepare for her retirement. Joyce, who is also a part-time farmer, always loved business. At the age of 50 she decided to enrol for a Bachelor of Business Administration (BBA) degree. She studied, farmed and worked part time, and five years later she graduated with her BBA degree. Why stop now, she thought. In 2012, Joyce enrolled in an MBA program at Kenyatta University.

“I don’t want my life to stop when I retire, I want it to start,” Joyce says. She had to take a loan out to cover her tuition fees but she is confident that her time and effort will pay off once she is a full-time, successful farmer.

(Pic: Flickr/rnav1234)
(Pic: Flickr/rnav1234)

Her choice to continue studying may be unusual but she’s not alone. Thousands of older Kenyans are enrolled in part-time undergraduate and post-graduate programs, all of them wanting to make their dreams of a tertiary education finally come true. Take Juliet for example. By day, Juliet is a nursery school teacher, rhyming out ABCs to restless four-year-olds, but by night and weekend, Juliet is a Psychology of Childhood Development student at a college in Nairobi. There is also Claire, a corner kiosk owner. She runs her business fulltime but takes accounting courses over the weekend.

All the women I have met and spoken with are not just students. They are mothers, grandmothers, wives and caretakers and their student status does not exempt them from their other traditional domestic duties. Culture is still largely unforgiving to the Kenyan woman that doesn’t cook, clean and keep an organised household. By any standards, these women have at least three jobs, but for them, their student status is one they wear with pride because it is a choice they made for themselves.

From as early as I can remember, I was taught that a good education was what would make all my dreams come true. My parents often told me to get better grades or suffer a beating. At some point during my pimple-popping teens and great depression over my nonexistent hips, my mother told me quite bluntly that my looks would get me nowhere in this life, but my brain would get me everywhere. The power of the book is preached fervently to all children in Kenya, and academic competition is as bloodthirsty as a boxing match. I always just knew that after high school I was going to a university and that I was going to get a degree. This was never something I questioned, as far as I knew it was a fact.

This was not the case for our mothers and fathers. In their time, tertiary education was for the extremely bright and well-to-do. Only so many people could get scholarships, and at that time, only a select few had degrees. Now that tertiary education is no longer a luxury but a necessity, our parents’ generation is taking every opportunity available to obtain those degrees that were been denied to them so many years ago.

I’m fortunate to be doing what I always wanted to do: write. I doubt that Joyce wanted to be a secretary, or Juliet a nursery school teacher. But luckily for them, they have a second chance to do what they have always dreamed of doing. Despite the challenges – time, money, late nights – sitting in that lecture hall and feeling that your life’s purpose is finally coming to fruition is the price Joyce, Juliet and Claire are willing to pay.

Sheena Gimase is a Kenyan-born and Africa-raised critical feminist writer, blogger, researcher and thought provocateur. She’s lived and loved in Kenya, Tanzania, ZimbabweZambia, South Africa, Botswana and Namibia. Sheena strongly believes in the power of the written word to transform people, cultures and communities. Read her blog and connect with her on Twitter.

Tackling mycetoma: A medical success story in Sudan

Behind the brick walls of the Mycetoma Research Centre trying to unravel the mysteries of the infection is a rare story of medical success in impoverished Sudan.

With bandages on their swollen, deformed feet, patients from across the vast country arrive at the spotless facility set in a garden in the southern Khartoum district of Soba.

For more than 40 years, British-educated researcher Elsheikh Mahgoub has been searching for answers to the mysteries of mycetoma, a bacterial and fungal infection which can spread throughout the body resulting in gross deformity and even death.

Sudan is particularly affected by mycetoma, which is also endemic in a geographic belt including regional neighbours Chad, Niger, Nigeria, Ethiopia, Somalia, parts of Saudi Arabia and Yemen, experts say.

The belt also stretches to India and parts of Latin America.

Mycetoma is “a badly neglected disease”, the United Nations’ World Health Organisation (WHO) says on its website.

Yet in Sudan, researchers have been studying the condition since British colonial times, and the Khartoum centre has been globally recognised for its work.

Such acknowledgement in the health field is unusual for a country which ranks near the bottom of a UN human development index measuring income, health and education.

Mycetoma is characterised by swelling of the feet but it can eat away bone and spread throughout the body, causing grotesque barnacle-like growths, club-like hands and bulging eyes.

The traditional treatment was amputation – something the Sudanese centre tries to avoid.

Elsheikh Mahgoub, supervisor of Sudan's Mycetoma Research Centre, shows a picture of an infected foot on his computer. (Pic: AFP)
Elsheikh Mahgoub, supervisor of Sudan’s Mycetoma Research Centre, shows a picture of an infected foot on his computer. (Pic: AFP)

“Most patients who get it are farmers, or animal herders, and these are poor people,” says Mahgoub (78).

“They are poor, and they get poorer.”

Mahgoub says he established Sudan’s first mycetoma centre in 1968, working with a British nurse and a British technician.

“Many people thought: Why should I be concerned about this disease which is not common, which is difficult to diagnose, and difficult to treat?” he told reporters on a tour of the facility, which opened at its current location in the 1990s.

The centre offers diagnosis, treatment, training and research as part of Soba University Hospital under the University of Khartoum, which funds it along with some donors.

It has its own laboratory, two wards, and is served by seven part-time doctors as well as Mahgoub, the research supervisor, and its director A.H. Fahal, a professor of surgery.

Though its resources are limited, they have been used effectively, Fahal has written.

Patients come and go – with 6 400 registered so far – but Fahal remains and so does Mahgoub, challenged by the puzzle of why mycetoma is so prevalent in Sudan and neighbouring countries.

“I think there’s two things,” Mahgoub explains, pointing first to the organism’s presence in soil.

He says people who make their living from the land are more likely to get pricked by thorns, for example, from the Acacia trees which are widespread in the mycetoma-prone region and provide a route for infection.

Secondly, the patients have been found with weakened immune systems. Some not only have mycetoma but also Aids, leprosy, tuberculosis or other conditions, Mahgoub says.

“Why? Why these people? Is it nutritional, because of malnutrition? Is it because of the other diseases they get at the same time?”

He does not yet have the answers.

“But we know that they have got some deficiency in their cell-mediated immunity.”

Thorn jab 20 years ago
Mohammed al-Amien Ahmad is a typical case.

The farmer tells Mahgoub that a thorn jabbed him about 20 years ago.

“This thorn came out and it seemed to be OK. Later on the swelling came up. It was a bit itchy,” says the goateed farmer, who is in his 60s and wears a traditional white jalabiya robe.

Ahmad, his enlarged left foot oozing pus, has travelled more than 500 kilometres by bus from Umm Rawaba where he farms about 70 acres of sorghum.

His condition worsened over the past two years, he says, forcing him to reduce the amount of land he can work, and cutting into his annual income of 30 000 – 40 000 Sudanese pounds ($4 300 – $5 700).

In a majority of cases mycetoma is painless, meaning patients like Ahmad delay seeking medical care.

This makes treatment more difficult, Mahgoub says.

“The main thing we tell them is to come early… Because if the swelling is small it can be excised in total,” with follow-up medication, he says.

A patient's infected foot. (Pic: AFP)
A patient’s infected foot. (Pic: AFP)

The Mycetoma Research Centre provides diagnosis and any surgery patients may need for free. But patients may require months of anti-fungal medication, which they must buy themselves.

Some who cannot bear the financial burden stop taking their medicine, Mahgoub says.

“In that case the disease will just go back to where it started. That’s a real problem,” he says.

Drug prices in Sudan have climbed over the past two years as Sudan’s currency plunged in value and inflation soared.

Sudan’s health ministry has expressed concern about the emigration of doctors and other health professionals seeking better salaries and working conditions abroad.

Nationwide, there were 1.3 health workers per 1 000 people in 2011, against the WHO benchmark of 2.3.

Many primary health care facilities in Sudan “lack appropriate medical equipment and supplies, have inadequate infrastructure or are understaffed,” the United Nations said this year.

In contrast, the Mycetoma Research Centre “is recognised globally as a world leader”, an informal group of experts on the disease wrote after their first meeting this year in Geneva.

Ian Timberlake for AFP.

On West African instrumentation

West Africa is no stranger to dope instrumentation. Legends like Fela Kuti and Toumani Diabate influenced the world by creating unique rhythms and melodies using the instruments of their home countries. Body-moving clicks, hits and rattling frequencies represent themselves throughout their arrangements, but what are these sounds and how are they made? Down below we dive into the instruments of West Africa, touching on sounds from Cameroon to Mali and everywhere in between. Check out the videos to hear the instruments and see how they’re played.


The Kora

The Kora is a 21-stringed instrument constructed from a large Calabash Gourd and covered with cow skin to act as a resonator. Though little Western classification can be placed to it, some associate it with the harpsichord family, calling it a “double-bridge-harp-lute.” Its beautiful range can be heard across West Africa in various countries such as Guinea, Mali, and Burkina Faso amongst others.


Shekere

The Shekere is a dried vine gourd covered in woven beads to produce a rattling sound when shaken. Although many variations and names of the instrument are made across West Africa, the Shekere is predominately associated with Nigeria.


Balafon

The Balafon is a wooden-keyed percussion instrument similar to a xylophone or vibraphone. It can be either be played in a fixed key (attatched to a wooden frame with Calabashes hung beneath) or free key (having wooden keys on any surface). Its rich sound is derived from the strike of a padded mallet to its carefully shaped individual keys. The inception of this instrument is linked to many West African countries such as Mali, Senegal, Cameroon, and Gambia just to name a few.


Akuba

Akuba is the name given to three small Yoruba congas which are played together in a complementary style. Played with sticks and hand alike, the Akuba drums often assume the lead role in the afrobeat sound, giving the musician the freedom to improvise and even direct dancers on stage. Also used in connection with the Nigerian Yoruba language, the drums help in complimenting the various tones of the spoken idiom.


Soku

The Soku is a single stringed fiddle native to Mali.

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A. Malik McPherson for Okayafrica.com. With more than half the population in many African nations under 25, the bright continent is currently undergoing an explosion of vibrant new music, fashion, art and political expression. Okayafrica is dedicated to bringing you the latest from Africa’s New Wave.

Me, Obama and Sarah Baartman in Istanbul

Despite my general disregard for Turkish Delights, Istanbul holds a special place in my heart. This is where I became two iconic black people: Sarah Baartman and Barack Obama – for a few minutes anyway.

I associate cities with books I have read about them. But when I think of Istanbul, it is not Nobel Prize-winning Turkish author Orhan Pamuk’s novels; nor even the must-read Honour by Elif Shafak that comes to mind. I associate Istanbul with The Book of Chameleons, a novel by Angolan Jose Eduardo Agualusa. You see, this novel is about a man who trades in memories. His business card reads: “Felix Ventura – Guarantee your children a better past.”  His clients are well-heeled people whose futures are secure, but who lack a good past. So he sells them brand new pasts. He gives people saddled with disgraceful family trees or uninteresting childhood memories, a chance to photoshop their histories, complete with tangible evidence to support these new pasts. This is how one fellow gets a new set of illustrious grandparents resplendent with nobility— along with photographs of him spending memorable days at their lovely house.

Istanbul reminds me of this novel because, like Felix Ventura, Istanbul gave me two brand-new identities in 2011. I got to be watched and photographed like the enslaved black South African woman, Sarah Baartman, whose body was exhibited as an ‘exotic’ across  Europe. I also got to be Obama. But unlike Felix Ventura’s customers, my new identities came unprovoked, uninvited, on a prepaid contract – compliments of my blackness.

The day I became these two icons is the same day I first tasted roasted chestnuts. We were visiting the Aya Sofya museum, which embodies Istanbul’s popular image as ‘where East meets West.’ An architectural wonder when it was completed in 537AD as an Eastern Orthodox cathedral, the building has over the centuries served as a Roman Catholic cathedral, and a mosque, before becoming the museum it is now. Its architectural wonders aside, Aya Sofya’s interiors are a rich display of Turkey’s layered histories, as distinctive Islamic calligraphy rubs shoulders with stunning mosaics of the Virgin Mary and Angel Gabriel.

So, outside Aya Sofya, my friend and I waited for the vendor to wrap our freshly roasted chestnuts, entry tickets already purchased. I enjoyed the familiar sounds of the Turkish greeting ‘Merhaba’, which could have come straight from Kiswahili; glowing with pride in our shared Arabic linguistic roots. I was at home.

There was a long queue of tourists, but I noticed a particularly excitable bunch of Turkish school children in uniform. I figured they were typically excited as students tend to be on school outings. I remembered my pure delight as a Grade 4 student about a class trip to our local museum, whose key attraction was its reptile collection and the requisite ‘Picasso-goes-native’ anthropological paintings of bare-breasted black women bravely bearing the burden of beads on their necks. So, I dismissed these teenagers’ laughter, jostling and their inability to stand in a queue as typical student excitement.

When you have never been an object of paparazzi interest, you don’t quickly make the link between flashing cameras and yourself. It took me a while to join the dots between the mini-stampede of flashing cameras and my face. Then I stood there transfixed, blankly scanning the queue, the nearby streets, my friend, the chestnut vendor, before I finally acknowledged the truth I had already registered, but suppressed: I was the only black person around. The second truth was harder to face: I was the cause of the students’ excitement. So much for our shared linguistic roots. To them, one of those women they only knew as paintings and pictures about Africa was standing right before their eyes. In the flesh. Munching roasted chestnuts. Sure, I was dressed wrong for the ‘peoples-of-Africa’ look of those paintings and postcards, but my blackness remained astonishing for this group of teenagers.

Snapping out of the shock, my friend and I literally ran into the Aya Sofya, school children and cameras in tow. And thus unfolded my ‘participant-observer’ tour of Aya Sofya Museum: playing Black Mampatile (hide-and-seek) with a bunch of Turkish students desperate to capture evidence of their close encounter with blackness for their Facebook friends. I was a bonus on their museum trip, an artifact to be watched and photographed, alongside the murals on the walls.  As I ducked into corners in the beautiful Museum, in-between nervous glances at its gorgeous paintings, while my friend ensured the students were safely out of sight before we could move to the next part of the museum, I remembered Sarah Baartman. I had read lots about her, most recently in Pumla Gqola’s book What is Slavery to me? But for the first time, I had a glimpse of what it must have felt like be a curiosity, to be ‘exotic,’ to be studied and photographed because you are different; to be assaulted with the giggling stares of teenagers’ cameras. Unlike her, I may have been a free woman, there on my own volition. Yet I remained helpless and humiliated. It wasn’t my favourite Kodak moment. But my day was about to get even better: an encounter as Obama awaited me at the Grand Bazaar market.

After sneaking out of the Aya Sofya church, my friend and I decided to visit the Grand Bazaar market, on a bargain hunt. As we explored the busy market, each pathway filled with throngs of shoppers and stall owners calling customers to their wares and haggling over the prices, one man’s voice rose above the din shouting ‘Obama! Obama! Obama!!’ This sounded odd to both my friend and I; and we simultaneously looked back to check who Obama was. ‘Yes! Obama!’ the man said, making eye-contact with me, and waving his hand, a wide smile on his face. Goodness?!  It was me! I was the Obama in question. And, by the smiles on many shoppers’ and vendors’ faces, I was the only one who didn’t realise that I was Obama.

I had followed the endless stream of media commentaries on what an Obama presidency meant for Kenya and Africa at large. But I had clearly missed the part about his name becoming the new shorthand for ‘black person’— at least at this market in Istanbul. I wondered whether to be flattered, amused or offended at this new ‘John Smith’ code for black folks. I smiled awkwardly and gave the man a little wave, hoping to shut him up with acknowledgment. As we squeezed through the crowds to leave the market, I wondered how this would play out in Turkish villages. Would I be followed by groups of children shouting ‘Obama! Obama!’? Would I need a souvenir T-shirt declaring ‘I am not Obama’ the way tourists to East Africa wore the ‘I am not Mzungu (white) T-shirt?

Fast-forward to April 2013. I am sharing a house with colleagues from different countries. One housemate, Salah from Iran, is a spitting image of Obama. His dress-sense, his graceful walk, his height, his salt-n-pepper hair, his skin-tone, right down to the smile. My friends and I remark to each other on this similarity. Salah shares my friends’ passion for Table Tennis, and they play regularly. One day, I tell him. “You know you look like Obama.” Ever graceful, he looks at me slowly, then asks: “is that a good thing?” Yho!? Who saw that one coming?  I mumble that I mean the nice Obama, not the one busy killing every audacious hope we ever invested in his presidency. My friends jokingly break the awkwardness: “Actually it is not such a bad thing. You could play Obama in a Hollywood movie about him. But do you play basketball? You will have to learn basketball for the movie.”

Salah laughs good-naturedly, then says “No. I play table tennis. Obama will have to learn table tennis so he can be more like me.”

Ek se! Give that man a Bells!, I think quietly to myself.  I suppose this is what they mean by thinking outside the box. Indeed, why shouldn’t Obama learn table tennis, in the hypothetical scenario of Salah playing him in a movie? See, sometimes the mountain must go to Mohammed.

Grace A. Musila is a Kenyan who studied in South Africa.