Africa in 2030: Video games, eco-buildings, robotics and cycling

letiarts
(Facebook / Leti Arts)

As 2015 starts, it is as good a time as any to look to the future – the next 15 to 25 years in Africa.

Today, a combination of necessity and want have slowly begun to shape several of Africa’s industries. These industries, although negligible now, promise to mushroom and boom within the next decade or so. They will make some African countries famous for them and a reference in conversation towards those specific services or goods impossible to de-link from the continent.

M&G Africa takes a look at what some of those industries and factors may be:  http://mgafrica.com/article/2014-12-02-things-africa-will-be-famous-for-in-the-next-10-15-years

Poetry in motion: Mobile site brings new audience to African writers

“These days, the language of death
is a dialect of betrayals; the bodies
broken, placid as saints, hobble
along the tiled corridors, from room
to room. Below the dormitories
is a white squat bungalow, a chapel
from which the handclaps and choruses
rise and reach us like the scent
of a more innocent time.”

These are the opening lines of Hope’s Hospice, written by Ghanaian-born Jamaican poet Kwame Dawes. He is among nearly 400 African poets from 24 countries in 14 languages who can now be heard reading their work via mobile phones – a first for Africa and the world.

The mobile site, accessible on smart and feature phones, has been launched by the Badilisha Poetry X-Change, the biggest archive of audio recordings by African poets in the world. It is a significant step on this“mobile first” continent where, with limited landline infrastructure, most people access the internet through their phones rather than on computers.

Linda Kaoma, project manager of Badilisha, based in Cape Town, South Africa, said: “We realised we weren’t achieving our goal of reaching a whole audience in Africa. We’ve created a mobile site that can be accessed on almost any phone you have. The response has been great.”

(Screenshot)
(Screenshot)

Badilisha appears to suggest Africa’s ancient tradition of oral poetry sits more comfortably in the 21st-century technology of the podcast than in mainstream publishing. Kaoma said: “A lot of publishers are not publishing poetry, but it does not have to be confined to books. It’s alive. The voice adds texture, adds a different layer to the poems. A lot of people are enjoying listening to poetry rather than reading it. We need to change the way we present ourselves to audiences, and audiences need to be aware of different ways of receiving poetry.”

Badilisha began life in 2008 as an annual poetry festival in Cape Town featuring poets from all over Africa and the diaspora. The website came four years later from a desire to reach listeners and readers across the continent, and preserve the work for posterity.

Kaoma said: “If you look at Europe it’s very easy to find archives of many things but in Africa, because of a lot of history and culture was passed down by the oral tradition, and there was lack of documentation, that’s not possible. We didn’t want history to repeat itself.”

The site, which has about 3,000 visitors a month, was relaunched last October with new features such as guests’ top 10 poets and mobile access. It represents a much-needed boost on a continent where performance poets can be found in large cities but few have hopes of publishing a collection in print.

Kaoma said: “The poets love it. It’s a great place to come and reflect and see what other poets are doing. I think there is value in being influenced by someone in the same context: you don’t have to change yourself to be recognised. You can be African and write about whatever you want to write about.”

The 29-year-old said her education was dominated by Shakespeare and she only started encountering African poets when she became involved in Badilisha. She now gives poetry readings internationally. “It’s great to travel to Ghana and Kenya and find a poet writing about what I want to write about. We’re not as one dimensional as people paint us to be. We’re very diverse.”

Badilisha’s poets include 169 from South Africa, 33 from Kenya, 27 from Nigeria, 26 from Zimbabwe, three from the Democratic Republic of the Congo and one from Somalia. Among the 16 African poets in the UK is Lemn Sissay, of Ethiopian descent, who was commissioned to write for the 2012 London Olympics. He can be heard reading his work The Queen’s Speech.

Each poet has a page with photograph, biography and poems in text and audio.

Only a handful of dead poets have been archived so far but there are plans to expand this in coming months, using either a relative of the poet or an actor to perform the readings. Badilisha has two full-time staff and is funded mainly by the Spier Wine Farm in Stellenbosch, near Cape Town, along with some government support.

Among the writers featured is Mbali Kgosidintsi, 31, from Botswana, who can be heard reading I Stand Between My Africa and Me. She said: “They really are pioneers. They are publishing poetry online and creating an African network. It’s a high standard of poets and the fact I can refer someone to Badilisha, and say I’m published on the site, is great.”

The site has triggered debate about the health of poetry in Africa. Kgosidintsi, who has taken part in an African poetry festival in Beijing, China, said: “People definitely want to perform poetry but I worry that the fact that we don’t publish it, and when we do publish, we don’t sell.”

Another poet on the site, South African Natalia Molebatsi, told the eNews Channel Africa: “We can’t say it’s mainstream and we’re not really trying to make it mainstream. All we’re doing is trying to share our work. Remember, it is one of the most ancient art forms. This initiative has given me an opportunity to express myself and share my work with other people.”

David Smith for the Guardian Africa Network

9 great apps out of Africa in 2014

African app developers are getting more creative by the year, and a number of exciting apps emerged in 2014 across a variety of sectors. Major corporations are also increasingly developing their own applications, but the most innovative solutions continue to be produced by entrepreneurial developers. Here are nine of the most innovative African apps that launched this year.

Find-A-Med

find-a-med
Available on Android and iOS, Nigeria-developed location-based app Find-A-Med allows users to find the closest health and medical centres to them, and provides turn-by-turn directions to that centre. It also stores and tracks the basic health information of a user, and allows people to write reviews of centres they have visited. Users can also add health centres to the Find-A-Med database, which currently lists more than 5 000 medical facilities.

The app aims to makes all healthcare facilities – including dentists and pharmacies – across Nigeria accessible and searchable from a mobile, and recently won best app at the Mobile Web West Africa event in Lagos. Co-founder Emeka Onyenwe says the app is designed to help Nigerians pick and choose between the country’s many medical centres, which vary in quality.

Voicemap

voicemap

Looking to make the Cape Town tourist circuit more personal, VoiceMap allows storytellers to plan, narrate and publish their audio walking routes, which can then be purchased and downloaded by users.

A smartphone’s GPS receiver tells stories on the move, automatically starting new tracks once a user enters a radius around a certain landmark. Upon purchase, all audio files, maps and GPS data are downloaded to the phone, meaning there is no need for a mobile data connection on the walk. The app seeks to provide more personal, localised audio content for tourists, while also allowing storytellers to make money out of their stories.

PesaCalc

pesac

PesaCalc, released by Kenyan mobile app developers Mobile Matrix, is a free Android app that streamlines the use of mobile money services in the country, drawing contacts from both phonebook and SIM card. Compatible with all three of Kenya’s mobile money services, the app allows users to prepare exactly the right amount of cash to send including the fees, both to registered and unregistered users. Anytime there is a tariff change, users receive an automatic notification.

WumDrop

wumdrop

South African app WumDrop is Uber for deliveries, with a user able to request a courier, track them on a map and receive notifications of delivery, all for R7 per kilometre. The app is looking to improve the efficiency and transparency of the country’s deliveries market, and uses both professional drivers and students. Fees are split between the driver and the company. WumDrop is available via web, Android or iOS.

Safari Tales

safari-tales

Released in Kenya earlier this year, Safari Tales aims to solve the problem of book shortages in the country through mobile, making African children’s stories available through text, audio and visual elements. The app is interactive, and also includes stories in local languages.

The developers claim SafariTales is an education and entertainment mobile application made for Africa by Africans, aimed at children between the ages of two and nine. The company has partnered with professional storytelling organisation Zamaleo Act, experienced script writers, illustrators, animators, content developers, designers and software developers to offer a true African oral narrative experience.

moWoza

mowoza
South African cross-border trading app moWoza looks to simplify the way informal cross-border traders buy and sell products, allowing traders to source products through a network of suppliers through the app.

It also allows the streamlining of the supply chain through an SMS service, while users can also negotiate bulk discounts. A taxi distribution network delivers purchased consignments. moWoza celebrated two award wins recently, winning competitions hosted by BiD Network and the Southern Africa Trust.

Mapture

mapture

Egyptian app Mapture is a free photo and video verification tool which aims to prevent the proliferation of misinformation and falsified images online. The app tags the location of photos through it from the phone’s GPS, making time and location of the content unalterable and verifying the source and authenticity of photos and videos. The information is then watermarked on the content, ensuring the veracity of the photo or video.

FarmDrive

farmdrive
Kenyan app FarmDrive aims to provide farmers with new financing options by connecting them with investors interested in funding local producers. Aimed at enhancing value addition, the app looks to improve the business practices of smallholder farmers and improve their bids for financing. The app requires farmers to form groups of five in order to collectively provide “security” for investments made into their farming unit, with each member of the team registered via their mobile phone number.

Suba

suba1

Ghanaian app Suba is a location-based, group photo album app, that allows for the creation of a group photo stream in which people can add pictures and invite others to do so. The app is a kind of family photo album for mobile, allowing multiple people to contribute and save their favourites for safe-keeping. It is available on Android and iOS.

Tom Jackson is a tech and business journalist and the co-founder of Disrupt Africa

The sermon won’t die: Why Pastor James David Manning’s ideas about Africa are dangerous

When I received Pastor James David Manning’s “Black Folk” sermon for the second time on Whatsapp two weeks ago I cringed. It was first forwarded to me by a Malawian living in South Africa and, this time, from a Zimbabwean living in the US. This signaled to me that his controversial sermon had resurfaced for the holiday season and was going viral amongst Africans on social media. When a Kenyan friend in the US first showed it to me two years ago, I dismissed its relevance. I thought that surely no one would take it seriously given that is was encouraging self-deprecating attitudes among Africans based on historical inaccuracies. However, when it resurfaced two weeks ago, and none of the senders provided a comment regarding the absurdity of his words, I realised that this damaging sermon in which he proclaims that all black people have a problem was being taken seriously.

The video is part of a Manning’s sermon captured in 2012 from his pulpit at the All The Land Anointed Holy (ATLAH) World Missionaries Church in New York City in which he professes to his mostly black audience that “black people have a problem”. In what may be best described as a rant, Manning points at what he deems are the failures of black people worldwide. The premise of his argument is that black people both in Africa and its diaspora never contributed anything of significance nor did they build anything. He further goes on to say that even when they were brought to the US., they only built things under the white man’s supervision, which he provides as evidence that they cannot manage a country either. Manning proclaims that black people just “don’t understand the world we live in”. The irony of his whole argument is that Manning justifies his statements using a long list of examples that begs him to look in the mirror: Manning is the epitome of the man he denigrates. He is a black man who doesn’t understand the world himself.

A picture of Pastor James David Manning taken from his Facebook page.
A picture of Pastor James David Manning taken from his Facebook page.

Manning’s historical digressions
Manning’s analysis is predicated on historical inaccuracies and unfounded stereotypes about the continent. They show general misunderstanding about the conditions of black people historically and in contemporary times that need to be addressed.

Manning’s first claim is that “Africans never built [a] boat that’s sea worthy” which is far from the truth. Precolonial Africa consisted of some of the most competent sailors. African navy’s existed all across Africa. In North Africa as an example, Egypt and Chad navigated the Nile with the use of papyrus, ceremonial, and war canoes. In East Africa, Somalia and Ethiopia were known to have “sea worthy” boats. Somali soldiers fought battles against the Portuguese along the East African coast as early as 1500s. In South Eastern Africa, there is evidence of large warships carrying up to 120 people that sailed its waters. During the Indian Ocean slave trade, a large number of Africans were forced to work on ships as sailors due to their seafaring skills. Lastly, in West Africa nations were infamous for their sea faring activities which were led by powerful, organised militaries. Images of their military and navy were often depicted in West African artwork.  In fact, there is evidence that people of African descent travelled to America long before Columbus. Historian Ivan Van Sertima dedicates his book, “They Came before Columbus” to precolonial African contact with America. Contrary to Manning’s statements, not only did Africans build boats that were lake, river and sea worthy, they were ocean worthy.

His second claim is that Africans did not build a single monument. However, there are existing monuments all over the continent that are still standing that disprove this claim – the most obvious being the Egyptian pyramids. Manning of course quickly aligns with divisive sentiments which center on treating Egypt as separate from the rest of the continent and claims that “Egypt is not in Africa”. Egypt and its people are as African as they are Arab. They have never been never been homogenous in spite of the claims justified by scientific racism or representations made of them. Recently, Hollywood’s depiction of Egyptians as white has received such harsh criticism. It has led to calls to boycott the movie, Exodus Gods and Kings (2014) and a Facebook page dedicated to more accurate portrayals of Egyptians as primarily brown and black peoples.

One only has to look at ancient Egyptian’s self-portraits to see how Egyptians were portraying themselves to realise that denying their African heritage is problematic and is a symptom of historical attempts to regroup Egypt as a “pure” product of Asia (Middle East) due to political or economic ideologies. However, it needs to be noted that when Europe was dividing Africa at the 1885 Berlin Conference, Egypt was considered African and colonised with the rest of the continent. Egypt was an integral part of the Pan-Africanist anti-colonial movements and was a founder of the Organisation of African Unity, the precursor to the African Union. Many of these ideas separating Egypt from the rest of the continent have been sustained by Afro-pessimists like Manning who share underlying premise is that black Africans could never have built the pyramids, (alien origin theories of the Pyramids seem to be popular) However, the theories that say black Africans still fail to explain why Sudan has more pyramids than Egypt. Neither does it explain the creation of other monuments such as the Obelisk in Ethiopia which was stolen from the Axum Empire years back.

His third claim was that there are not great cities. In fact, Africa had many great civilisations and empires which are too many to mention. They include the Kush, Nubia, Meroe, Axum, Songhai, Kongo, Angola and Mali to name a few. In fact, Timbuktu in Mali was cosmopolitan educational hub well renowned by scholars and philosophers around the world. Other great cities were renowned for trade such as Great Zimbabwe, which was a large enclosed trading center and settlement constructed from granite located in Zimbabwe that accommodated up to 20 000 people. Similar sites that smaller in size can be found in other parts of Africa. Nevertheless, contrary to Manning’s claims, Africa had great cities in its past. Africa also has great popular cities in its present that are great to work, visit or live in. Lagos, Nigeria home to 21 million people is considered a great African city. It is an economic hub that recently surpassed Cairo, Egypt as the largest city in Africa.

In his other claims Manning states that Africa built no sewer systems or no houses made out of stone, “only grass and wood.” In fact Africans built housing and buildings out of very diverse material including granite stone, thatch (not grass), mud, and wood. His claim that they also needed to be two story is also problematic. The idea that Africans need to adopt certain material or meet height requirements for their dwellings to be considered a “house” is ludicrous and Eurocentric.  What use is two story house in areas that are prone to weather conditions such as frequent earthquakes? Houses should be built based on available material in their environment and the climate conditions there. With regards to the global problem of inadequate sewer systems, pit latrines are such systems. They may not be like Europe’s, but nonetheless the conception of a sewer system was there and was implemented. In sum, his ideas on “progress” and modernity mean being more like Europe. Moreover, many houses in the Global North are made of wood and are one story.

Manning’s misinterpretations
Manning offers a narrow analysis of contemporary global politics and economics. He problematises the situations situation in Rwanda and Zimbabwe as example but provides no context. There is no mention of how both national and international politics and economics have informed the situation in these countries. There is no mention of Europe’s ongoing involvement in Zimbabwe or Rwanda and their involvement has played a role in creating the situations there. Manning seems content on placing the blame for Africa’s woes squarely on Africans.

In fact, not even the beloved Nelson Mandela is spared. He states that “the worst thing that could happen to South Africa was when they gave it to Mandela and Black Folk”. He states that he understands that apartheid was wrong (meaning that he does not agree with white minority rule). However, he contends that they should have not “given” it to Mandela. An argument that is highly problematic because Mandela was democratically elected by the majority in a democratic process. In fact, many will argue that South Africa wasn’t the National Party’s to “give” in the first place. Manning substantiates his tirade against majority Black rule by saying that it’s because “disease, AIDS, and crime is running rampart in Johannesburg”. Again, he fails to put it all in perspective – crime and other public health concerns are not limited to Johannesburg nor African-ruled countries.  Lastly, he fails to account for the Western Multinational Corporation’s role in exacerbating the AIDS situation through patent monopolies.

He makes similar statements about Nigeria in his claims that “Nigeria produces oil every year, yet the children there are hungry and starving”. He does not mention how the big oils companies exacerbate the situation by degrading the environment, exploiting workers and extracting from Nigeria. This is not to say that the Nigerian government does not play a role in the current situation. However, his propensity to defend profit over people is reminiscent of Afro-pessimist attitudes in which Africa is blamed for all of its problems.

Manning up
Manning’s tirade is not limited to Africa – he also disparages leaders such as Coretta Scott King, Harriet Tubman, Shirley Chisholm and Barack Obama. He uses examples from Africa in his sermon to denigrate African-Americans on the basis that they are descendants of Africa. Although, I understand how an American audience could believe his tirade against Africa. Generally, Americans should be more susceptible to such propaganda about Africa. After all, America is constantly bombarded with negative images of Africa. Additionally, African history is not taught in American schools. Therefore the image of Africa that remains in the popular American culture is one of a continent that did not produce anything and is frozen in time. However, what really surprised me was the number of Africans from all over the continent forwarding this sermon. The image of Africans internalising his negative ideas about Africa whilst Great Zimbabwe, the Pyramids, and Obelisk looming in their own backyards is very problematic. It prompts me to wonder if our educational systems were failing to teach us about each other when the words of an outside person with little understanding of Africa bears so much meaning.

Grant it, “Doctor” Manning holds a Masters degree in divinity from Union Theological Seminary in the City of New York. His PhD however, comes from the ATLAH Theological Seminary – his own unaccredited educational institution. Although he is neither historian nor is he Africanist (or arguably a Doctor), he posits himself as an “expert” on African people, politics and economics.  He challenges black people to take a long look at the ‘truth’ about their present day situation based on their history. However, his analysis is predicated on historical inaccuracies and unfounded stereotypes about the continent which is dangerous for African and African diaspora identities. At this juncture, we should be able to able to quickly quash – not believe – such ideas about the continent. We need to arm each other with facts about the continent and not the Africa that is a figment of the imagination of an already controversial pastor who has built his religious career from stirring controversy.

The popularity of his video also prompted me to wonder what was currently happening in Africa that was leading people to accept words of such pastors without really interrogating the information we were being told. Perhaps part of the acceptance of Manning’s sermon speaks to the rise of preachers and prophets in African countries, which we need to pay closer attention to.

Sitinga Kachipande is a blogger and PhD student in Sociology at Virginia Tech with an Africana Studies concentration. Her research interests include tourism, development, global political economy, women’s studies, identity and representation. Follow her on Twitter: @MsTingaK

Sequel to Mandela’s autobiography to be published in 2015

Nelson Mandela. (Pic: AFP)
Nelson Mandela. (Pic: AFP)

A sequel to the late Nelson’s Mandela’s autobiography The Long Walk to Freedom is to be published in South Africa next year, the former president’s foundation said on Wednesday.

The book titled The Presidential Years, which Mandela began writing in 1998, will be based on his five years in office.

He had already drafted 10 chapters “when he finally ran out of steam” in 2002, said the foundation which has released a handwritten manuscript of the opening sentences of the book.

“The book will be based on the 10 chapters written by Mandela himself,” Danielle Melville, the spokesperson for the Nelson Mandela Foundation, told AFP.

She did not say who has been brought in to finish the book.

The foundation, which oversees the legacy of South Africa’s first black president said it had “embarked on a project to see the completion of ‘The Presidential Years’ as an authorised account of Mr Mandela’s presidency.”

The hand-written draft opens with a poignant passage: “Men and women, all over the world, right down the centuries, come and go. Some leave nothing behind, not even their names. It would seem that they never existed at all.”

Mandela died a year ago at the age of 95 after a long illness.

His first internationally acclaimed autobiography published in 1995 has been translated into numerous languages and adapted into an award-winning film.

Mandela left instructions for the draft to be handed to five of his comrades for comments, including President Jacob Zuma, Deputy President Cyril Ramaphosa and presidential spokesperson Mac Maharaj, who was also jailed with Mandela on Robben Island.

The internationally revered anti-apartheid hero spent 27 years in prison before coming out to lead South Africa after the fall of apartheid in 1994.

He only served a single five-year term as president, stepping down from office in 1999 having laid the foundation for a united South Africa.