Year: 2013

Elemotho: Namibia’s rising star

Namibian artist Elemotho G.R Mosimane is the first musician from his home country to win the 2012 RFI-France 24 Discoveries Awards, among a list of more than 500 African, Indian and Pacific artists.

As part of the singer and songwriter’s prize, he received a promotional tour around Africa to 25 countries  and an exclusive concert in Paris. Later this year he’ll be touring India, Malaysia and Nepal in a bid to raise his music profile.

The artist, who grew up in the Kalahari, plays acoustic guitar and blends the sounds and rhythms of his home country with folk influences. He sings in his mother tongue Setswana, English and other Namibian languages.

Elemotho (Pic supplied)
Elemotho (Pic supplied)

The RFI-France 24 Discoveries Awards is a contest open to singers in Africa and the Indian Ocean islands since 1981. The awards have helped launch the international careers of many artists, among them Ivorian reggae singer Tiken Jah Fakoly, Malian music duo Amadou & Mariam and artist Rokia Traoré, also from Mali.

Since scooping the award in October last year, Elemotho signed a worldwide distribution deal with UK-based record label ARC Music and has just released his third album, Ke Nako (It’s time).

He doesn’t classify his music under a specific style. “I see myself as a performing artist and musical activist; I like to throw reality around, thus exploring the depth of the human spirit.”

From rural boy to modern lyricist, Elemotho stands out from the usual commercial and easily consumable sounds by using experimental ideas and delivering his own vision of music.

Rhodé Marshall caught up with him for an interview ahead of his South African tour this week.

How did your love affair with music begin?
I have always had music and storytelling around me growing up as a farm boy around the fire with my grandmother. It was not until University while studying African philosophy and psychology that the music bug bit me.

You compose, record and play your own music. That’s quite a feat.
For me, music is a spiritual thing. Sometimes the songs come to you, sometimes you have to look for them. Recording music is like a pregnancy. I don’t do too many records, because it takes time to live the stories, and even more time to tell them. The acoustic guitar just does it for me. I cannot truly explain the many hats I wear, I guess in the end every artist is after something.

Describe your music.
I do not like to describe the music I do, but if I have to I would say it’s Afro-fusion. The new sound of the Kalahari, melodies of meditation with messages for our modern times.

What are your thoughts on the Namibian music industry?
Namibia has a small population and an emerging arts scene. There is much potential for us. Many people do not know Namibia, let alone the music. But I believe it’s bound to change.

What genre of music is currently trending in Namibia?
There is an emerging Namibian folk trend with a number of female singers/guitarists, something to look forward to.

Which other Namibian artists should we be looking out for?
There are a number of them – Ras Sheehama, Erna Chimu, Ngatu and Big Ben to mention a few. I recommend a CD called A handful of Namibians that’s a compilation of different Namibian musicians and genres.

What is different about your latest album compared to your previous two?
With Ke Nako it’s the first time I worked with a producer, Christian Polloni. He brought out the best in me. It’s a very timely album, and I feel that being a father and a family man does a lot for me in terms of perspective and approach.

You’ve been touring Africa for the past three months. What are the most interesting things you’ve encountered in the countries you’ve visited? 
First and foremost I would like to say that Africa is a very diverse continent. Each country and region is producing an amazing patchwork of music, foods, history and more. Dakar, Senegal is quite something – an amazing city that rarely sleeps, a constant flow of culture, local and international. I found St. Louis to be magical –   the river and sea, the new and old town, Wolof, Arab and French-fused fashions. Cotonou, the capital of Benin, is a port side city with thousands of motorbike taxis and amazing people. It’s the land of Angelique Kidjo and the land of voodoo!

What’s next for you?
Only the sky is the limit.

How can fans interact with you?
I’m on Facebook  and my website is www.elemotho.com

South Africans can see Elemotho live this week:

Johannesburg
June 6 2013, 5:30pm
The Grove esplanade
Braamfontein

Pretoria
June 9 2013, 2pm
Alliance Francaise

Rhodé Marshall is the Mail & Guardian Online’s project manager and unofficial entertainment reporter. She started as a radio reporter and producer in Cape Town, before jumping into online news. With one hand glued to her phone and the other to a can of Coca-Cola, she is a pop culture junkie. Connect with her on Twitter

Amina, the Tunisian activist who sparked a scandal

Amina Sboui, the young Tunisian arrested for an anti-Islamist protest, has become a symbol of resistance to religious intolerance for Western feminists, but opinion at home is divided over the activist who is inspired by topless protest group Femen.

Under the pseudonym Amina Tyler, she sparked an uproar in March by posting topless pictures of herself on Facebook, defying Arab-Muslim convention.

Her action provoked angry threats from radical Islamists who were repressed under Zine El Abidine Ben Ali and have become increasingly assertive since the revolution that ousted the dictator in 2011.

Amina appears handcuffed at the courthouse in the central city of Kairouan on June 5 2013. (AFP)
Amina appears handcuffed at the courthouse in the central city of Kairouan on June 5 2013. (AFP)

“Everyone has the right to express themselves in their own way and I chose my way of doing so in the style of Femen,” she told AFP in April.

She condemned the “conservative restrictions, on civil freedoms especially after the rise to power of Ennahda,” the Islamist party that won a post-revolt election and heads the coalition government.

“I would be happy to see the fall of Ennahda,” said the 18-year-old rebel, as she smoked a cigarette, adding she welcomed her new-found fame.

“Of course I’m happy to become a celebrity and attract media interest.”

With her short hair, dyed platinum blonde, and thin, delicate features, Amina explains how the topless pictures shocked her family, who she says abducted and beat her, trying to force her back into line.

‘Psychiatric problems’
Her mother denied the accusation, saying she wanted to protect her after threats from Islamists, and insisting that her daughter, who has suffered from depression since she was 14, should remain at home.

“My daughter has suffered psychiatric problems since 2009 and has been examined by doctors in the [psychiatric] hospital in Razi,” near Tunis, she explained.

Medical documents shown to AFP appear to confirm her claims.

One, dating from March, says she “has for several months shown a relapse with insomnia, sadness, irritability with explosive reactions, delusional ideas, self-deprecation and guilt, behavioural problems including suicidal and self-harm tendencies”.

Amina says she had a difficult childhood, partly spent in Saudi Arabia, and that she was molested when she was very young.

Her mother also disputes the claim, insisting the Femen movement has exploited her vulnerability without caring about her future.

Amina rejected her mother’s warnings and ran away from home in April, deciding to continue her protest campaign while waiting for a visa to France where she hopes to finish her studies.

Arrest
On May 19, she was arrested in the holy Islamic city of Kairouan for painting the word “Femen” on a wall near a cemetery, in an act of protest against a planned Salafist gathering that never took place, after it was banned by the government.

She is due to appear before an investigating judge on Wednesday, and could face charges of indecency and desecrating a cemetery, crimes which carry possible prison sentences.

Feminists in France have hailed her as a heroine, with the topless protest group Femen sending three European activists to Tunis to bare their breasts in support of her. They were arrested after they staged the group’s first demonstration in the Arab world outside the main court house on May 29. Their trial begins on Wednesday in Tunis, and the trio face a six-month prison sentence if they are convicted.

Women from the Femen activist group take part in a protest calling for Amina's release on May 30 2013, in front of the Tunisian embassy in Brussels. (Pic: AFP)
Women from the Femen activist group take part in a protest calling for Amina’s release on May 30 2013, in front of the Tunisian embassy in Brussels. (Pic: AFP)

Support
“Clearly it’s easier to incriminate a child who does not lack boldness or courage … A child who knows what she doesn’t want and is trying to wake up these people who wish to remain deaf, dumb and blind,” French blogger Caroline Fourest wrote.

In Tunisia, Amina’s support from the anti-Islamist opposition is more measured.

Feminist activist and MP Nadia Chaabane says she backs the young Tunisian in getting herself acquitted, but frowns on the Femen protests.

“I think that she is an adolescent who is slightly lost, but the fury directed against her is not justified,” she said.

Mounir Sboui, Amina’s father whom she is close to, said he was “proud” of his daughter for her ideological commitment, while also describing her acts as excessive.

“Her actions were excessive but she defends her ideas,” he said.

A new road for Ethiopia’s ancient salt trade

Abdu Ibrahim Mohammed was 15 years old when he began trekking with caravans of camels to collect salt in a sun-blasted desert basin of north Ethiopia that is one of the hottest places on earth.

Now 51 and retired, he has passed his camels to his son to pursue this centuries-old trade in “white gold” from the Danakil Depression, where rain almost never falls and the average temperature is 34.4 degrees celsius.

Sulphur and mineral salt formations are seen near Dallol in the Danakil Depression, northern Ethiopia April 22 2013. (Pic: Reuters)
Sulphur and mineral salt formations are seen near Dallol in the Danakil Depression, northern Ethiopia. (Pic: Reuters)

But the tradition of hacking salt slabs from the earth’s crust and transporting them by camel is changing as a paved road is built across the northern Afar region.

Although the road being cut through the Danakil Depression is making it easier to transport the salt, the region’s fiercely independent local salt miners and traders are wary of the access it might give to industrial mining companies with mechanised extraction techniques that require far less labour.

“Most of the people who live here are dependent on the salt caravans, so we are not happy with prospective salt companies that try to set up base here,” said Abdullah Ali Noor, a chief and clan leader’s son in Hamad-Ile, on the salt desert’s edge.

“Everything has to be initiated from the community. We prefer to stick with the old ways,” he added.

Thousands of camel herders and salt extractors use traditional hoes and axes to carve the “white gold” out of the ground in the Danakil Depression.

Many of the salt diggers live in Hamad-Ile and hire out their services to different caravans. The work, however exhausting, still draws thousands onto the baking salt flats.

“You forget about the sun and the heat,” said Kidane Berhe (45), a camel herder and salt merchant. “I lost a friend once on the salt desert because he was working too much with no protection from the sun. Eventually he just collapsed.”

 Once workers find a suitable place to mine salt, they extract, shape and pack as many salt slabs as possible before starting their two-day journey to the town of Berahile. (Pic: Reuters)
Once workers find a suitable place to mine salt, they extract, shape and pack as many salt slabs as possible before starting their two-day journey to the town of Berahile. (Pic: Reuters)

The tarmac road will link the highland city of Mekele with the village of Dallol in the Danakil Depression, a harsh but hauntingly beautiful geographical wonder of salt flats and volcanoes once described as “a land of death” by the famous British desert explorer Wilfred Thesiger.

The road has cut from five hours to three the drive from Mekele to Berahile, a town two days’ trek by camel from the Afar salt deposits that one of Ethiopia’s main sources of the crystalline food product.

New roads like these are gradually helping to transform this landlocked Horn of Africa state, which has a unique culture and history but has been racked by coups, famines and droughts, into one of the fastest-growing economies on the continent.

As Africa’s biggest coffee producer, Ethiopia’s economy remains based on agriculture, which accounts for 46% of gross domestic product and 85% of employment. But its nearly 94-million population – the second biggest in Africa – is attracting the attention of foreign investors hungry for new markets.

Access to market
Further south in the Danakil Depression, at the salt reserve of Lake Afdera, industrial salt production is already underway.

A company named Berhane and Zewdu PLC came to the desert plains near Hamad-Ile in 2011 aiming to produce salt there, according to Noor.

Clan leaders saw the threat to their ancient trade and lined up to oppose the project. Fearing sabotage of its equipment, the company left the following year, local people said.

But Noor still welcomed the new road.

“The new highway will give easy access to the market, which will bring benefits and development to this region,” Noor said.

The development he talks of is visible in Berahile, where caravans from the salt pans come to drop off their cargo so it can be transported to the rest of the country. Most residents are involved directly or indirectly in the salt business.

Telephone and electricity networks have been extended to the town over the past four years, a new Berahile Salt Association was established in 2010 to facilitate trade and a recently built salt store is now the biggest construction in town.

“Thousands of people benefit from this work as the salt here is exported throughout the country,” said the head of the association, Derassa Shifa.

A man prepares bars of salt to be sold in the main market of the city of Mekele, northern Ethiopia. (Pic: Reuters)
A man prepares bars of salt to be sold in the main market of the city of Mekele, northern Ethiopia. (Pic: Reuters)

For now, tradition and modernity co-exist – the organisation buys salt from the caravans that make the four-day trek to the salt flats and back, then sells it to merchants who carry it away by truck.

The salt blocks, which were once used as a unit of money, are sold across Ethiopia, many of them to farmers to provide their animals with essential minerals. Ethiopia has the largest livestock population on the African continent.

Siegfried Modola for Reuters.

How language connects us

When asked what my first language is, I often pause because it is not an easy answer. My first language was Chewa.  I spoke it like a native although I wasn’t one, but it has slowly faded away over time from non-use. I then learnt Bemba, English, Kaonde and Nyanja. At the time I didn’t realise that my experience as a child of foreign diplomats living in Malawi was quite unique. I had adopted the language spoken by my nanny, the cook, the driver and their children instead of English.

It was only at school where I came into contact with other children of diplomats that I was made aware of being different. Why didn’t I speak English? English came to me with time – I must’ve been 5 years old – and with it a whole new set of rules and airs. There were strict rules on enunciation and pronunciation, and it became very clear early on that this new language was considered superior to the languages I had spoken before.

I navigated my way through two worlds, speaking each language exclusively in different settings, but I always felt more at home with Chewa. This was likely because it was my first language but also because it connected me deeply to my family and earliest friends. The people I went home to allowed me to speak it without giving me stern looks or pinching their lips in distaste. Speaking it came without judgment.

The realities of the world we live in dictate that fluency in English and a handful of other European languages are required to be successful in our education systems and in the workplace. I can live with that, to a point, but it pains me to see indigenous languages falling by the wayside because they are not regarded as keys to success. I see evidence of this in Zambia where some parents explicitly tell their children that English is the only acceptable language in the home and then banish them from speaking anything else. This decision is made by parents whose own experiences taught them that “proper” English meant access to good jobs and advanced educational opportunities. The intent may be well-meaning but I’ve seen first-hand the alienation it brings when children are unable to communicate with peers or family members who are not fluent in English.

(Graphic: Cassandra Johnson)
(Graphic: Cassandra Johnson)

By speaking our languages we are doing more than stringing words together; we also learn about the underlying culture and influences. Honorific speech systems that exist in many Bantu languages are reflective of social structure, traditions and respect accorded to elders. These are intrinsic and complementary elements of culture and language. Furthermore, each language carries with it the history of the people who speak it and the areas it is spoken in.

Some of my fondest memories as a child are of those spent at my grandmother’s feet, slowly reading from her KiKaonde Bible and hymn book. In those hours she augmented my reading lessons by teaching me about my maternal family and sharing wisdom through proverbs. Proverbs are cultural treasure troves in any language; they reflect accumulated knowledge and wisdom from past generations. I’m always in awe of these proverbs because they reinforce the fact that my people had a history before missionaries and colonisers landed on our shores.

This Kaonde proverb encapsulates so well the lessons from my granny: “Fukafuka uja twabakulu talalala wajamo kubulwa.” (Kneeling, you eat with elders; keep standing, you learn nothing.)  It means: “You learn a lot from elders when you are humble but not when you’re rude.”

Wisdom is not exclusive to speakers of foreign languages which continue to enjoy unparalleled dominance. Much of our history remains unwritten and is stubbornly passed down orally, and there is so much to learn and safeguard.

There should be no shame assigned to those who speak indigenous languages. A break from the past is needed; rigid rules in schools that see children punished for speaking their mother tongues only reinforce negative messaging about the hierarchy of languages and assign value to what is considered perfect or acceptable – posh, lightly accented speech.

Language is a key component of our identity and through it we can express our unique worldviews. We should honour multiple language and cultural identities. If we lose our languages we lose a way of life, a way of thought and a means of expression.

Though I often take for granted my fluency in multiple languages, I have come to appreciate the inordinate gift I’ve been given. While language is only one marker of a person’s identity, I consider it to be my most important one. Language ties me to my people and my country, and most importantly allows me to communicate. I miss speaking Chewa. Whenever I can, I spend time practising it or listening to audio. I intend to recapture this language of my childhood and add it to my treasure trove.

Bwalya Chileya was born in the early 80s and raised in Malawi and Zambia. She holds a masters in business administration and works as a project manager. She reads and writes stories in her free time. Connect with her on Twitter