Year: 2014

Dear Zanu-PF, here’s my application for one of those 2.2 million jobs you promised

Dear post-election Zanu-PF (aka Government of Zimbabwe)

RE: APPLICATION FOR ONE OF 2.2 MILLION JOBS

With reference to your election manifesto, which excited even the MDC-T to splitting point and made me put a cross next to your name on the ballot paper, I hereby apply, publicly, for any one of the 2.2 million jobs you promised in Zim Asset. In case you have forgotten, this is that economic blueprint you came up with in October 2013, which is meant to “to provide an enabling environment for sustainable economic empowerment and social transformation to the people of Zimbabwe”.

July 31 marked exactly one year since I cast my first official ballot in the country’s elections, ending previous attempts at maintaining my political virginity. Now, there is some background I should give you. I do not bet or play the lotto because everything I put my bet on seems to lose. Even when I want my football team to win, I don’t watch the match. That is why I have not been voting all these years. I hated to see what I love losing. But last year, for the first time, I took the risk – and the jinx was broken! You won the election. However, looking back on my country, I’m concerned about whether the jinx was really broken. Could it be that in you winning massively, Zimbabwe actually lost quite a lot?

Forgive my rambling. With so many of my job applications gone unanswered, I do not know if it was my cover letter that failed me, or the comma that was missing from my CV, or if it’s just that none of the 2.2 million jobs you promised are on the market yet. But the issue at stake here is that I am looking for a job, and urgently so, because I am 31 and unmarried and cannot afford to be unemployed. One may ask why I am applying to you. Most of the companies I approached are either already closing down or downsizing staff, and employing me is an unrealistic dream for them. But I know you have 2.2 million jobs that you promised me in 2013, and I have come to claim at least one.

I am one of those “resources that gives Zimbabwe a comparative advantage over regional and other international countries is its economic complexity that includes the strong human resource base, which is an outcome of a deliberate educational policy instituted by the ZANU-PF Government at Independence in 1980.” Unfortunately, I have been trying to make myself a useful resource with little success, hence I’m approaching you so that you can employ me.

I hold a qualification in tourism and hospitality, among other numerous qualifications, and should be glad that tourism is one of your key target economic areas with huge potential. It’s just that I have not seen what you referred to in Zim Asset as “Quick Wins” or “rapid results yielded “in the shortest possible time frame (October 2013 – December 2015)”. Obviously I blame this on the fact that no initiatives have been implemented or “blitz interventions” made since I voted for you. Damn the sanctions, of course. Oh, I had forgotten that there are also sanctions-busting strategies. So damn the inaction. What have you been doing this whole past year?

Secondly, survival has taught me all these other vital skills and given me a great deal of experience, which will account for any gap periods in my CV. Like most others, I am now a serial entrepreneur, sometimes vendor, marketer, social media enthusiast, administrator, occasional job-hunter and writer. So, do not get me into the unemployed-experience-unemployed conundrum. I don’t deserve it, neither do millions other Zimbabweans who have faced desperate situations, including this economy, and lived through it.

And if there are any other things that you deem important which I do not have, such as a driver’s licence and a passport, please remember that I might not have been able to afford the $200+ required to bribe driving inspectors, or had the time to wait in unending queues at the Registrar General’s offices.

And lastly, if it turns out that all the other vacancies have already been filled by the numerous educated but unemployed youths roaming the streets – most of whom are thinking of leaving the country – I would like to become one of the officials in the Office of the President and Cabinet who will “play a leading and co-ordinating role as overseer of the implementation process to ensure attainment of set targets of the Plan.”

At least I know that vacancies still exist in this section of Zim Asset because, with nothing happening, my only guess is that no one is co-ordinating the implementation process of this brilliant document. My claim to employment in this section is backed by my qualification in monitoring and evaluation, and validated testimonies that I am discreet, patriotic and intelligent enough to meet your requirements.

Please note:

  1. Do not take this a joke; I really need a job and so do millions others. And the earlier you make those “blitz interventions” for “Quick Wins”, the better it is for all of us. December 2015 is not far away.
  2. At this point don’t refer me to non-working youth funds. I have tried those before. All I need is a job. A piece of land would be a welcome alternative though.
  3. Please ensure that I get a job in haste before South Africa and its post-election ANC deport the more than 3 million jobless Zimbabweans there back home.
  4. I can attend interviews as fast as the kombi you want to banish without an alternative can take me to the venue.

Regards (because we are compatriots and I deserve better from you),
Lawrence Hoba

 

Lawrence Hoba is an entrepreneur, author and passive politician.  His short stories and poetry have appeared in The Gonjon Pin and Other Stories, Writing Lives, Laughing Now, Warwick Review and Writing Now.  His anthology, The Trek and Other Stories (2009), was nominated for the NAMA in 2010 and went on to win the ZBPA award for Best Literature in English. It tackles the highs and lows of Zimbabwe’s land reform. Connect with him on Twitter: @lawhoba

Ruka: An artistic exploration of the African hair braiding salon

The art of hair braiding has taken centre stage in pop culture in the past few months, from Chris Pratt’s surprisingly good French braiding skills to the return of the braid in Valentino to Vivienne Westwood Fall runway shows. In South Africa, a documentary by blogger Miss Milli B has served as a platform to discuss the politics of black hair in its various styles and textures. Most recently, Hollywood’s new darling Lupita Nyong’o highlighted hair braiding as a cultural practice in a video for Vogue.

Shot in a salon in New York, we see Lupita showing off her braiding skills on her friends’ hair. She learnt the technique from her aunt when she moved to the United States. She’s been doing their hair for years, and the camaraderie between them is evident.

Among Lupita’s group of friends is Nontsikelelo Mutiti, a visual artist whose recent exhibition Ruka (Shona for to braid/to knit/to weave) examines the social function hair braiding has apart from the aesthetic.

Mutiti is a Zimbabwean-born artist and educator who works across disciplines – fine art, design and social practice. Her Ruka project was exhibited at Recess, a non-profit art space in Soho, New York from June 3rd to August 2nd . It included an installation and an exhibition of hair braiding across traditional and contemporary contexts.

Black hair magazines from the 90s, African print fabric from Senegal and linoleum floor tiles are some of the materials that make up Nontsikelelo Mutiti's braiding salon installation. (Pic: Monika Uchiyama)
Black hair magazines from the 90s and African print fabric from Senegal are some of the materials that make up Nontsikelelo Mutiti’s braiding salon installation. (Pic: Monika Uchiyama)

I caught up with her recently to discuss the project.

What was the source and inspiration for Ruka?
I accompanied my cousin to get her hair done one Sunday afternoon in 2010. We went uptown to Harlem, New York. Upon arriving at the braiding salon I was struck at how much it reminded me of hairdressing spaces back home in Harare.

The bright walls, loaded conversations, hair dressing posters, the vendors coming in and out selling small items like socks, candy and makeup. It was fascinating for me to realise the way the women working in the space had created a facsimile of something ubiquitous at home. The women working in the salon were not from Zimbabwe; they were form different parts of West Africa.

Future visits to Harlem revealed the multitude of women that do this work in New York City. They line 125th Street, soliciting business from potential clients from street corners to the doorways of multi-story buildings shouting out: “Braiding? Braiding, Miss? I give you good price!”

What has been the reception to your work so far in the States, particularly in light of actresses like Lupita Nyong’o promoting the tradition of hair braiding in popular culture?
I was glad that Lupita chose to highlight this cultural practice through a platform like Vogue. Giving visibility to the craft and taking ownership of this skill is a powerful statement that assigns value to braiding and braided hairstyles. There was a wonderful sense of community on set. On and off camera we shared personal experiences, advice and memories. It was wonderful to get my hair braided by Lupita. She is very good and I know how long it takes to build up these skills.

Braiding is not just about beauty; it is also about perseverance, trust and creativity. It is also such a generous act, spending time with someone, working on them. I hope the audience learnt all these things from the video. These ideas were certainly reinforced for me.

The exhibition included a screening series of iconic braided hairstyles worn by stars. Here, Jada Pinkett Smith wears a braided bob. (Pic: Monika Uchiyama)
The exhibition included a screening series of iconic braided hairstyles worn by stars. Here, Jada Pinkett Smith wears a braided bob. (Pic: Monika Uchiyama)

What has been the biggest lessons you’ve learnt in the process of connecting with a theme so pertinent to black female identity?
When we speak of black female identity we have two important themes pressing up against each other – gender and race.

Braiding is a means of adorning the body. Because of my socialisation I tend to imagine it as something associated with women, but looking at a range of cultures we find that people that identify as masculine also wear their hair braided.

Whilst discussing braiding and gender during a studio visit, Andrew Dosumno (an acclaimed Nigerian film director), mentioned that there are tribes in Nigeria where men who are involved in certain spiritual practices can wear braids.

It has been interesting to do this project at a time when people that identify as black in America are going ‘natural’. Braiding has become a very important grooming choice. There is something that feels akin to the ‘Black is Beautiful’ movement. People are choosing to sign their bodies with an aesthetic that refers to or acknowledges African heritage.

My observations have led me to consider how we read images of each other and what it means to emulate or aspire to a particular aesthetic. We are really using hair to mark our bodies and sign specific messages to each other: ‘I am proud of my ancestry’, ‘I will not be defined by western ideals of beauty’, ‘I am cosmopolitan’, ‘I am sophisticated’, ‘I have a range and breadth that goes beyond my traditional culture’. In the context of my home, Zimbabwe, we use braiding most often to add in new hair colour, texture and artificial length.

What has the audience reception been to your exhibition?
People coming into the space have really felt like collaborators more than an audience. The project emphasises community engagement and artistic research.

This piece - black and blue spray paint on black linoleum floor tiles - is part of an on going visual research project involving pattern and repetition of the braiding motif. (Pic: Monika Uchiyama)
This piece – black and blue spray paint on black linoleum floor tiles – is part of an on going visual research project involving pattern and repetition of the braiding motif. (Pic: Monika Uchiyama)

People have signed up for braiding workshops led by an invited facilitator. We have all felt empowered by the skills we have learnt. There are some of my older works as well as new sketches and collections of objects like combs, movies, fabrics and books, Nollywood and American movies in the space. The different elements that make up the installation have become wonderful tools for starting extremely meaningful, open conversations. Visitors have been very generous, sharing personal narrative or memories sparked by an object or image in the space.

Some people come in and are confused because they think it is a real hair salon. The project is playing with the boundaries between a few things. It is a salon and classroom and art studio, film screening room all at once. In essence that is what an African hair braiding salon is.

Will the exhibition be travelling to parts of Africa? How much more or less do you think it will it resonate with the audience here?
Doing this work in different communities is very important to me because I am not just making artwork; I am learning and sometimes teaching and sharing. I am sure the project will look and feel different depending on each iteration.The community have a big role in shaping what I make and get out of the experience. Because braiding has different connotations in different communities I am sure the work will read differently in different spaces. A range of interpretations makes for an even richer body of source material for continued research and art.

Have you found inspiration for your next exhibition?
The braiding project is ongoing. I am looking forward to starting a related publishing project and continuing to make new artworks based on different braiding patterns. I am also thinking of creating a dedicated space for continued practice and research around this craft.

I am developing a new series of video works titled Black Hair Aesthetic Study with my collaborator Shani Peters.

Jeanine Meyer, a colleague from Purchase College, is assisting me with coding online tools to teach a wider engage a wider audience in thinking and learning about the practice and cultural significance of braiding.

One project I am looking forward to is inspired by Dutch wax fabrics, another is about names.

My goal is to make work that can live in the world. It is wonderful to have institutional support for this type of work because it is not easy to fit all projects within a traditional gallery or museum setting. I look forward to other opportunities to share my work with people in formal and informal settings.

Ethiopia’s game-changing abortion law

(Pic: Flickr)
(Pic: Flickr)

After decades battling high maternal death rates – at least a third of which were due to botched abortions – Ethiopia took a stand: it prioritised newborn and maternal health, and in 2005 it relaxed its abortion law in an effort to save women’s lives.

Stopping short of legalising abortion, the new law decriminalised the act. It also allows women to terminate pregnancies that result from rape or incest, if the foetus has a severe defect, or if a girl is under the age of 18 and cannot care for the baby herself. Before 2005, a woman could only have an abortion if it was a matter of life or death.

“Anecdotally, I would say [the law] has had a huge impact on saving lives of girls and mothers,” said Addis Tamire Woldemariam, general director for the minister of health, but he said he did not have official numbers on the law’s impact. The latest statistics available are from 2008, which show that 27% of women who sought abortions in Ethiopia did so legally and safely. That still suggests more than 70% of abortions were done in unsafe conditions by untrained providers, but before 2005, that figure was much closer to 100%.

“Before, women would drink a tea made of plants to induce abortion,” said one health extension worker in the northern village of Mosebo. The women would then have extremely painful cramping followed by heavy bleeding – too heavy, she said. “It is much better now. We encourage them to go the health centres or clinics.”

Lack of access
But one major reason women are not getting safe abortions is that most Ethiopians live in places even less accessible than Mosebo, which is just off a bumpy gravel road that stretches 43km to the northern city of Bahir Dar. Getting to a health facility that provides abortion care is extremely difficult.

In Ethiopia’s capital Addis Ababa, Dawit Argaw owns a Blue Star Clinic – a private health facility partnered with Marie Stopes, a global provider of newborn and maternal care, contraception and safe abortions. He explained that if he did not perform the abortions women sought at his clinic, they would just end up choosing a dangerous option. “The main reason that we do this is that we have seen so many complications [from abortions performed illegally], by [untrained] persons,” Argaw said. It used to be common that women would come to his clinic with puncture wounds or severe infections from botched abortions. “But since 2009 [four years after the new law was implemented], we have seen this maybe two or three times.”

While the vast majority of women seeking abortions are still getting them through unsafe means, in large cities like Addis, women can get to clinics and doctors more easily.

But women’s health is also helped by increased access to contraceptives, and the number of women who have unwanted pregnancies is in decline as more women use birth control. “Ten years ago, contraceptive prevalence was 6%, and the most recent figures are at 40%,” Woldemariam said.

Grateful for the service 
At the Marie Stopes Clinic in Addis Ababa, a woman sits in a small room with a desk, a bed with stirrups attached and a thin curtain. Here, she receives contraceptive advice. “We consult with her and have her choose a family planning method before she receives the abortion care,” Sister Tihish, the nurse, explains. The patient, who withheld her name, also did not disclose how she got pregnant, “but many of the cases we receive are because of rape,” the nurse says.

In cases of rape or incest, women are not required to give proof. Woldemariam of the Ministry of Health said making a woman relive the psychological trauma of rape by asking for evidence would be “immoral” and “inhumane”, so many abortion-providers have adopted a “don’t ask” policy. For many, that leaves a gaping loophole in the law and gives women a way to get abortions for reasons beyond what is legally allowed.

Dr Seyoum Antonios vehemently opposes the abortion liberalisation. The general surgeon explains the requirements are far too lax. “You look at the books at these clinics and all of them say `rape, rape, rape’ with no proof,” he exclaims. “My country is being painted as a land of rapists.”

But for 29-year-old Khadija Ali, who asked that her real name not be used, access to an abortion was a matter of life or death. “I was working as a housekeeper in Bahrain when my employer raped me,” she explains, wringing her hands in pain from cramps as the abortion pills she took a few hours earlier took their toll. “I became pregnant, and immediately returned to Ethiopia because no one could know it happened, or else I would be seriously hurt or even killed.”

Her friend told her about the Marie Stopes Clinic, which provides abortion care and contraceptive counselling. “I am very glad,” she said, for the service. Still, Khadija says she will never tell anyone – including her husband – what happened, and definitely not about the abortion.

Social stigma reigns 
Khadija is not alone in keeping her silence. “This is something very sensitive in the community,” Woldemariam said. “I mean people practice it, but they do not want to talk about it,” which is fine, he said, as long as women are getting the care they need.

The vast majority of Ethiopians are socially and religiously conservative within their respective beliefs. Orthodox Christian leaders, who have the most followers in Ethiopia, are willing to privately consult families on family planning but would never discuss abortions. That is the case with almost all communities, Woldemariam explained.

A local priest in Mosebo village said that is how he advises families and what he practices in his own family. “Children are a gift from God, but having more children than you can feed is an even bigger sin,” he explained. Magadesa Mugeda, a resident of Mosebo pregnant with her second child, agrees. Her daughter was born five years ago, and she used an injectable contraceptive to plan her family. “With our land and our resources, we could not afford to have more kids,” right away, she said.

When asked about abortions, Mugeda immediately tensed up. “I do not know or care to discuss these things.”

Abebe Asrat, a no-nonsense midwife at the Marie Stopes clinic agrees with Mugeda. “Do not ask me what I think of government policy,” when it comes to abortions she said. “Almost everyone is against abortions… but we do what we have to,” she explained. There are alternatives, she insisted: women should be encouraged to use contraceptives and family planning methods to prevent the whole ordeal.

Argaw said if he did not see that safe abortions saved women’s lives, he would have a harder time accepting how his work was conflicting with his religion. “Religiously [abortion] may be forbidden. Even in my religion it is forbidden. But for me as a human being I accept it [is necessary],” he admits. “So that is why I do it.”

Being an Eastern Cape refugee in Cape Town

(Pic: Gallo)
(Pic: Gallo)

A lot is made in South Africa of the “refugee situation”; that is, desperate immigrants from other African countries who have chosen to settle in the continent’s southernmost country.

Protestations that Nigerians, Congolese, Malawians and Somalis, in particular, “have come to steal our jobs” are as ubiquitous as the daily furore at the taxi rank over who saw which customer first.

That is complete nonsense of course, and everyone knows it, but it is one of those topics, like dissecting the merits of the Pep Store funeral plan, that locals like to debate endlessly.

Yet in truth South Africans are among the greatest number of refugees going around, so to speak.

Ask any South African on the street where they are originally from, and they will invariably tell you a location hundreds of kilometres away from where they live now.

And in Mzansi, there is no greater natural refugee than one who hails from the Eastern Cape. I should know – I am one.

According to the 2011 Census, in the Eastern Cape, 436 466 people left the province since the last census 10 years prior. Ninety-four percent of the Eastern Cape population was born in the province, compared to 56% of Gauteng’s population.

And almost two million people born in the Eastern Cape lived in other provinces, with the majority living in the Western Cape in and around the Cape Town metro (0.9 million) and Gauteng (0.5 million).  

Desperately poor under apartheid and equally so now, the Eastern Cape has never quite managed to get off the ground, despite vast swathes of natural beauty, excellent schools and universities and being home to South Africa’s motor industry for decades.

Every year scores of us leave to work in Johannesburg or Cape Town, either in the industrial or mining sector or to pursue a career in the corporate or entertainment field. “That’s where the money is” we are told, and off we go; an annual exodus not seen since the days of the Biblical plagues.

I myself am a late bloomer in terms of the Eastern Cape émigré, having only settled in Cape Town several months ago. Yet, even now, I can honestly say my reason for leaving was neither financially-driven nor born out of any especial desire to become a master of the universe.

Yes, I was in need of a job upon my return from Southeast Asia, but the main catalyst for my decision was that Cape Town – with all its hipsters, beardy-weirdies, flash public-relations types and movie-extra hopefuls – represented the ideal opportunity for change.

I was reared in Port Elizabeth and will always be proud to call it my home town. But in the last few years I had seen it become a microcosm of Johannesburg where a rat race, and indeed, sometimes egotistical mentality had begun to infiltrate every aspect of your working and social life.

The result was that the city once deemed the friendliest in the land had become disconnected from what it once was –  sleepy yes, but a good place to relax and enjoy your days in the sun.

I worked briefly in Johannesburg some years back, but after a few weeks the hustle and bustle of a heaving concrete beast became too much. There was no tangible downtime to take your mind off the previous week’s work, and everyone seemed in too much of a hurry to get onto the next thing – and prove the next thing to others.

I understand perfectly that these attitudes sometimes are required in an economic hub, but they are definitely not for everybody. And neither should they be, especially in a city like Port Elizabeth which was historically always a delightful place to live despite being blue-collar.

So Cape Town it was, a 700-odd kilometre trek up the N2 for this particular refugee.

It has been two months now, so what do I have to report?

Without a shadow of a doubt, change has been effected.

Cape Town, above all, is comfortable with itself, and that is reflected in the attitudes of its residents. Aside from the odd bad apple one encounters, the people are among the friendliest in the country, and that has a marked impact on one’s own attitudes.

The Cape Town native is acutely aware that their city has a reputation for being “cliquey”, but also knows that this arises from a small cross-section of the community who most people avoid at all costs.

Second point: Cape Town residents do not care one jot for the political wrangling that consumes South Africans in other parts of the country.

Contrary to what some might believe, Mother City residents are not in the least bit interested in spending their dinner times dissecting the latest political diatribe from one or other party leader. While they are immensely proud that their city houses the country’s Parliament, one suspects they are even more pleased that the magnificent building bolsters the central business district’s prime real estate value.     

It is almost as though politicians are only rolled out when there is an election, otherwise civil society pretty much runs itself.

To be free of South Africa’s great political preoccupation is a huge relief, and it is little wonder that many Capetonians appear perplexed when they see someone ranting and raving about something or other on television.

And finally, how could anyone continue to harbour feelings of anxiety or anger or concern when in every direction there is either a mountain, ocean or vineyard to gaze upon? It is almost impossible to worry about anything for too long.

As South Africans will have guessed by now, the description of myself as a “refugee” in this piece relates to an incident in early 2012 when Western Cape Premier Helen Zille referred to Eastern Cape pupils flocking to Cape Town for improved education as “education refugees”.

It sparked a massive outcry, prompting the ruling party and others to label the Western Cape government an “erstwhile apartheid” regime.

Personally, looking back on that incident now and as an Eastern Cape refugee myself, I don’t see what all the fuss was about.   

John Harvey is a media relations consultant in Cape Town. He previously worked as a journalist in Port Elizabeth, Plettenberg Bay and Cambodia, contributing to a number of South African and international publications. He is hoping to obtain his work visa for Cape Town shortly.

Ebola epidemic sparks state of emergency across West Africa

A fast-spreading Ebola epidemic sparked a state of emergency in overwhelmed West African nations on Thursday as the death toll neared 1 000.

In Liberia, where the dead lay in the streets, lawmakers gathered to ratify a state of emergency while Sierra Leone sent troops to guard hospitals and clinics handling Ebola cases. Nigeria held out hope it could receive an experimental US-developed drug to halt the spread of the virus.

Since breaking out earlier this year, the epidemic has claimed 932 lives and infected more than 1 700 people across west Africa, according to the World Health Organisation.

Staff and volunteers at the ELWA hospital in the Liberian capital Monrovia wearing protective gear. (Pic: AFP)
Staff and volunteers at the ELWA hospital in the Liberian capital Monrovia. (Pic: AFP)

Ebola causes severe fever and, in the worst cases, unstoppable bleeding. It is transmitted through close contact with bodily fluids, and people who live with or care for patients are most at risk.

Spanish priest, nun evacuated
As African nations struggled with the sheer scale of the epidemic, Spain flew home a 75-year-old Roman Catholic priest, Miguel Pajares, who contracted the disease while helping patients at a hospital in the Liberian capital Monrovia.

The missionary was the first patient in the outbreak to be evacuated to Europe for treatment.

A specially equipped military Airbus A310 brought him to Madrid’s Torrejon air base along with a Spanish nun, Juliana Bonoha Bohe, who had worked at the same Liberian hospital but did not test positive for the deadly haemorrhagic fever, the Spanish government said.

Immediately after landing Thursday morning, ambulances took the pair to Madrid’s Carlos III Hospital, which specialises in tropical diseases.

The priest was stable and showing no sign of bleeding while the nun appeared to be well but would be re-tested for Ebola just in case, health officials said.

Two Americans who worked for Christian aid agencies in Liberia and were infected with Ebola while taking care of patients in Monrovia were taken back to the United States for treatment in recent days.

They have shown signs of improvement after being given an experimental drug known as ZMapp, which is hard to produce on a large scale.

The vast majority of those infected face a far inferior level of health care at home.

State of emergency in Liberia, Sierra Leone
There is no proven treatment or cure for Ebola and the use of the experimental drug has sparked controversy as Ebola experts call for it to be made available to African victims.

Liberia President Ellen Johnson Sirleaf declared a state of emergency of at least 90 days on Wednesday, saying extraordinary measures were needed “for the very survival of our state”.

“The scope and scale of the epidemic, the virulence and deadliness of the virus now exceed the capacity and statutory responsibility of any one government agency or ministry,” she said.

Liberia’s Parliament is to ratify the decision on Thursday.

In Sierra Leone, which has the most confirmed infections, 800 troops including 50 military nurses were sent to guard hospitals and clinics treating Ebola patients, an army spokesman said. The Parliament was to meet to ratify a state of emergency declared last week.

Nigeria
Fears are growing that the disease is also taking hold in Nigeria after the death of a nurse in Lagos, a megacity of more than 20 million. It was the second Ebola death in Nigeria, where another five people have tested positive for the disease.

Nigeria’s Health Minister Onyebuchi Chukwu told reporters he was in contact with the US Center for Disease Control on the possibility of getting drugs from them.

“I said we are getting reports that this experimental drug seems to be useful. Is it also possible that we can have access for our people presently being treated and under incubation?” he said Wednesday.

Chukwu said all seven confirmed cases in his country had “primary contact” with a Liberian finance ministry employee who brought the virus to Lagos on July 20 and died later in hospital.

US President Barack Obama said it was too soon to send experimental drugs for the treatment of Ebola to west Africa, however, urging officials instead to focus on building a “strong public infrastructure”.

“I think we have to let the science guide us. And I don’t think all the information is in on whether this drug is helpful,” Obama said on Wednesday.

WHO emergency session
The World Health Organisation is meeting in emergency session behind closed doors in Geneva to decide whether to declare an international crisis. It is not expected to make a decision until Friday.

A Saudi Arabian who had travelled to Sierra Leone and developed Ebola-like symptoms died on Wednesday of a heart attack while being treated in hospital in Jeddah, the Saudi health ministry said.

First discovered in 1976 and named after a river in what is now the Democratic Republic of Congo, Ebola spreads through contact with bodily fluids such as blood, saliva and sweat.

It has killed around two-thirds of those it has infected over the last four decades, with two outbreaks registering fatality rates approaching 90 percent. The latest outbreak has a fatality rate of around 55 percent.