Year: 2013

What the hookah is socially acceptable anymore?

Ugandans love a good party, every day of the week, till all hours of the morning. We weren’t crowned number 8 in the World’s 10 top drinking nations for our conservative ways. Here in Kampala we tend to embrace a novelty or fad with extreme enthusiasm until we are bored stiff of it. Dance floor smoke machines were once the in thing – we’d literally be choking as we danced at different venues, each trying to outdo the other, until we eventually tired of it, or suffocated. The latest fad is smoke of a different kind: shisha.

The first time I saw a hookah pipe in Kampala, I was warned that it was drugs. Many people probably had the same perception, and believed it served religious and cultural purposes that weren’t our own. It took a while for the trend to take off last year but once it did, it was big.From restaurants to cocktail bars, private parties to clubs, pipes are almost always on standby. It’s good business for the night spots, and the ‘shisha guys’ earn a decent livelihood from it. At a standard and affordable price of $6 per hookah, establishments are less interested in capitalising on shisha profits than they are in buying patrons’ time. Keeping us there for hours equals more spend at the bar. Ka-ching!

At first I was allured by the novelty, especially because it was available at home and not just abroad, but the excitement has since burnt out for me. All anyone seems to care about is shisha. Well, that and how an hour-long shisha session is as harmful as smoking a hundred cigarettes.

(Pic: Flickr/Ian Lloyd)
(Pic: Flickr/Ian Lloyd)

Smoking shisha in public goes against what’s accepted in our social culture, especially for women. Despite the stigma associated with women smoking cigarettes in Uganda, shisha is a firm favorite with the ladies. It’s obvious to me why it’s socially acceptable, or at least somewhat socially acceptable. Smoking shisha serves as an extension of the modern African woman’s liberation – freedom of choice combined with a dose of rebellion while still fitting within the boundaries of the acceptable. Women are not smoking locally made Rex cigarettes while cheering on the Gunners; they are peacefully and calmly smoking the fruits of mother nature. Mint, berries, grapes and apples; so very demure, acceptable, pretty and fragrant: the definition of an acceptably perfect East African woman.

Other than shaking it on the dance floor, I don’t know another way women and men can acceptably be so socially intimate with each other. Shoot me now for going against anti-smoking campaigns but isn’t there something sexy about smoking? Not the lung cancer, addiction and bad breath of course, but as she inhales deeply with her well-groomed painted red nails, the smoke screen against her pretty face, a woman has a certain je ne sais quoi about her. If there wasn’t a ban on tobacco advertising in many countries I’m sure we would be seeing this kind of imagery more than we do now because it is alluring. Kampala’s upscale bars and clubs are filled with corporate women, drink in one hand and pipe in another, sitting among their male colleagues, passing the pipe from person to person. Not so long ago I learnt that in Kampala-shisha-slang lingo, the plastic mouthpiece is called a condom. I rest my case.

With hookah pipes starring in every other Facebook picture of a Ugandan nightclub or social event, I don’t see the fad going anywhere anytime soon. This 400- year-old trend has modernised itself within popular culture, not just in Kampala but throughout the world.

While there’s a need to highlight the dangers and effects of shisha, it doesn’t help that our local journalists and health care professionals are a bit over the top with their attempts.

“Uganda will fall into an abyss because of evils like shisha, homosexuality and other emerging moral upheavals…” Dan Kimosho, public relations officer at National Medical Stores, recently wrote.

Okay, then.

They may be coming from a good place but hookah is not a gateway drug to crack and prostitution. The most recent media hysteria is that smoking shisha will cause failure to conceive in Ugandan women. Is now a good time to bring up our over-population crisis and extraordinarily high fertility rate? Probably not. What health care professionals, media and government should focus on is providing accurate information and adjusting regulations so that they tally with general smoking legislation on health, safety, licensing and age limits. Then us big girls and boys can choose to fall into the abyss of evil armed with facts and figures. What is socially acceptable anymore? Looking around Kampala’s nightlife scene, I see a lot more to be concerned about than hookahs – and the starting price is apparently the same as a round of shisha.

Melinda Ozongwu is a writer based in Kampala, Uganda. She writes television scripts and regular opinion pieces on the subtext of urban culture in African countries. Her blog SmartGirl Living is a cocktail of thoughts, recipes and advice for the modern African woman. Connect with her on Twitter

African musicians to look out for

The music scene on the African continent has always been a hive of activity, starting from the early sixties when the likes of Franco reigned supreme. But this activity was always shrouded in terms such as “world music” which tended to lump wide-ranging musical styles into a flat, gray mass of indistinguishable sounds.

Over the past decade, this trend has changed. More cross-continental collaborations are taking place and, thanks in part to continent-wide television networks like MTV Base and Channel O, more people are being exposed to the wide array of artists coming out of the continent.

I’ll be bringing you a monthly recap of some of the amazing music being released, from Ghanaian hip-hop artist Sarkodie  and Nigerian artist 2Face Idibia, to the emerging Namibian hip-hop trio Black Vulcanite and South African pair Dirty Paraffin. For this inaugural music review, I trekked east and found Kenya’s Camp Mulla collaborating with recently-relocated Ghanaian rapper M.anifest on a made-for-the-club-dance-floor track; crossed the border over to the DRC to find Alec Lomani’s mind-altering beats, then headed to the continent’s southern tip where current hip-hop darling Khuli Chana was waiting with his poignant blend of retrospective rap awesomeness.

All In – Camp Mulla ft. M.anifest

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Kenya’s Camp Mulla  collaborate with Ghana’s M.anifest on a song so watertight it wouldn’t need to jostle its way onto a commercial radio playlist to be noticed. When I first heard All In‘s opening chords, it sounded very urban. Bar my reservations about the appropriation of fringe cultures by the mass market, All In is a decent song. M.anifest’s ascent has been nothing short of inspiring – barely a year has passed since he moved back to Ghana from America, but his list of achievements and award nominations are testament to his focus and relentless work ethic.

Pardon My French – Alec Lomami 

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Imagine Miriam Makeba on tour in the summer of ’72 in New York City. Pata Pata had just been released, and as the world prepared to usher in a new superstar, time leaps forward to 2013 in Kinshasa.  Her historic tune has been usurped, turned on its head and re-interpreted into an unintended – yet exceptional – groove by Alec Lomami. The Kinshasa-born rapper currently living in South Africa is responsible for lifting the iconic song’s lilting melodies and ejecting electronic sounds which underpin the original’s funky strut. This accentuates rather than obscures Pata Pata‘s ubiquity on the musical landscape. Lomami expertly maintains the original song’s charm, yet drives it forward with his imaginative, forward-thinking approach to composition and song structure. “The song is an almost four-minute complaint,” he explained in an interview recently.  “It is me being cynical … I tell myself ‘no one really cares, bruh, you’re just wasting my time.'” Pardon My French must be played at a really high volume while doing Saturday morning chores like laundry. Ridiculous dance moves are compulsory.

 HazzadazMove – Khuli Chana ft KayGizm

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Khuli Chana’s story is not just the usual narrative of obscure-turned-famous artist. It is, rather, a nuanced tale of a childhood spent in the former homeland of Bophuthatswana under Lucas Mangope, absorbing mid-nineties rap music and dabbling in high school rap groups which laid a solid foundation for his music career. He was recently honoured with three Sama awards including Album of the Year. Khuli is no stranger to mainstream success; as part of Morafe, the group, along with Hip Hop Pantsula (HHP), brought the Motswako sound to a greater audience in the mid-2000s. Arguably, Motswako – a “melting pot of creativity, style, music and art” according to HHP – has now become synonymous with good times and party vibes, and Khuli Chana is its president. Firmly rooted in the basics of rap music, his impeccable flow and delivery set him apart from his peers. Coupled with his relentless work ethic,it will ensure his music endures time and its elements.

Hip-hop is taking on an increasingly localised flavour, but it’s not all Africa has to offer. In my next review I’ll take a look at Ghana’s Azonto dance craze and South Africa’s emerging electronic music acts.

World’s first tablet cyber café opens in Senegal

Among the washer women, carpenters, busy waiters and squabbling children sweltering under the midday sun on this dusty Dakar street, an internet revolution is taking place in the world’s first tablet café.

Next to the workshops, meat stores and barbershops on what could be any bustling street in sub-Saharan Africa, a grey concrete building stands out with a garish sign advertising the Tablette Café.

“This is the first tablet café in the world, a café that works with tablets,” said Tidiane Deme, the head of Google in French-speaking Africa.

The concept, introduced by the internet search giant, is a simple twist on the traditional cyber cafés which have been springing up across Africa as the internet boom takes hold, ditching PCs for tablet computers.

People outside the Tablette Café, located in the Medina area of Dakar. (AFP)
The Tablette Café opened on May 27 2013 in the Medina area of Dakar. (AFP)

When Medoune Seck (33) opened his Equinoxe cyber café six years ago, he quickly discovered that frequent power cuts and exorbitant electricity bills were a major headache for him and his customers.

Then along comes Google which offered funding last year to turn one cyber café in Africa into a pilot tablet café. Seck applied and his café was picked as their guinea pig.

While tablets have taken advanced industrialised countries by storm and pushed cyber cafés further to the margins, in the developing world they could lead to their renaissance.

Tablet cafés could take hold in Africa because most people cannot afford to buy the devices, and tablets use batteries and mobile data connections which make them not vulnerable to power cuts.

The Equinoxe now sports 15 tablets and has installed cabins for private video chats, while a corner of the café is given over to a shop selling various items of electronic equipment.

Three PCs remain enthroned on boxes near a wall, but they do not generate much interest among clients, who recline on the café’s bright orange and blue sofas, jabbing at their touch screens.

Seck says his tablets cost more than PCs but they save on power bills as they consume 25 times less electricity.

Customers browsing the web on tablets. (AFP)
Customers pay 80 US cents per hour to browse the web on tablets. (AFP)

He believes they can help revive cyber cafés which, according to Google, are in something of a slump precisely because of the high cost of electricity and frequent power failures cutting into business.

“Tablet computers will revolutionise Africa, and Senegal,” said Seck.

The simplicity of using the touchscreen devices could help bring computing to scores of new people.

An elderly grandmother in a billowing bubu robe, headscarf and sash from the house opposite the café was among the first through the doors to “bless” her neighbour’s business, and she left amused after being given an introduction to using a tablet.

Mamadou Camara, a 16-year-old Facebook and Skype user, enthused about the improved computing experience of tablets.

He complained about “cyber café PCs which are very slow and exhaust your credit”.

Upon arrival, customers hand over an ID card and pay in advance for a set connection time before they are given a tablet.

When they leave the device is reset, wiping out any data from their session, and it is ready for the next customer.

The Tablette Café charges the same price as its predecessor did for PCs: 300 CFA francs (80 US cents) per hour.

“Our hope is that cyber cafés attract new customers interested in a more simple and interactive way of going online, and make significant savings on their number one operating expense: electricity,” Alex Grouet, Google’s business development manager in Francophone Africa, said in a blog post.

Café owners should be able to invest the savings on electricity costs into improving their connection speeds, he suggested, thereby boosting their clients’ experience.

“We look forward to finding out as the project unfolds, and hope that people living in Dakar will stop by to try out something new.”

Coumba Sylla for AFP.

Jeppe on a Friday

The dreams and fears, hopes and histories of five people intersect in this compelling documentary filmed in one day by eight female filmmakers in Johannesburg.

It features “garbage” man Vusi Zondo, ambitious property developer JJ Maia, folk musician and hostel dweller Robert Ndima, Beninese migrant and restaurateur Arouna Nassirou and his wife Zenaib, and shopkeeper Ravi Lalla.

The film was written and directed by Arya Lalloo and Shannon Walsh and shot by the  filmmakers on one Friday in March, 2012. It uses the template of the film À St-Henri, le 26 août, a documentary shot in and around a Montreal suburb on one day.

For more on Jeppe on a Friday, read Percy Zvomuya’s review.

Celebrating natural hair: The Coiffure Project

Baltimore-based photographer Glenford Nunez‘s latest project was inspired by his assistant Courtney who wears natural hair. He started photographing her with his cellphone and accumulated a small body of work that he then turned into a book of natural hair portraits.

Nunez on a shoot. (Pic: TYP Photography Studio)
Nunez on a shoot. (Pic: TYP Photography Studio)

Nunez is one of many photographers documenting a growing trend and pride in natural hair. Other projects worth checking out are Michael July’s coffee table book dedicated to the Afro and Nakeya B.’s “The Refutation of Good Hair” series with models eating handfuls of Kanekolan hair.

(Pic: www.nakeyab.com)
(Pic: www.nakeyab.com)

Nune’z mobile pics of Courtney led to the creation of the The Coiffure Project in which he showcases the beauty of natural hair on women of all shapes, colours and sizes. All his photos below are courtesy of TYP Photography Studio.

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