Commonwealth Games – Kenyan cyclists dream big

From delivering milk in the hills of Kenya to racing through the streets of Glasgow at the Commonwealth Games, it is fair to say life is about to change drastically for John Njoroge, Suleiman Kangangi and Paul Ajiko.

Between them the three Kenyans will compete in the 2014 Commonwealth Games time trial on Thursday July 31, and in the road race on Sunday August 3. They will come up against competitors from strong cycling nations, such as England, Australia and South Africa, but they are not without hope or a chance.

Njoroge, Kangangi and Ajiko are from Iten, a small town on the Kenya-Uganda border that is notable for being home to many of the world’s finest long-distance runners. The hope of this trio is that it be known for its cyclists, too, with the Commonwealth Games offering the perfect showcase opportunity.

Members of the Kenyan Riders club, from left Samwel Ekiru, Suleiman Kangangi and Paul Ajiko. ‘The world has to watch out,’ says their coach Simon Blake. (Pic: Nicolas Leong)

Kenya is where Froome was raised and first put foot to pedal on his way to becoming the 2013 Tour de France winner and one of the finest cyclists in the world, yet traditionally the country has lacked a base of top-level riders. However, success has been building. A Kenyan team finished 13th out of 9 000 teams in the 2011 l’Étape du Tour, an event that allows amateur cyclists to race the Tour de France route, and fourth in the following year’s Tour of Rwanda, Africa’s biggest cycling event.

Central to the story has been Nick Leong, a former Singaporean photographer who moved to Iten and formed the 11-strong Kenyan Riders, the country’s first professional cycling team. “Cycling is ready for a change,” Leong says. “It is important to have diversity in the sport and an African team definitely helps open it to an even larger demographic.”

Given that Iten has an altitude of 2.4km, it is no major surprise that the Kenyan Riders’ speciality is climbing. Njoroge, who at 1.65m is the shortest of the trio, works as a milk deliveryman in the highlands of Naivasha, transporting up to 60kg a day on his bicycle over long, gruelling distances. “I was working very hard,” he says. “My body was used to the heavy weight and I liked to ride at high speeds. When I heard about the Kenyan Riders team, I trained as much as I could to ensure that I could join. Cycling for Kenya is my dream.”

In 2012 Njoroge finished fourth in the Haute Route, a seven-day race in the French Alps which covers over 19.8 vertical kilometers, and is arguably the toughest cycling competition in the world. During that year’s Tour of Rwanda he also finished third, only two minutes behind South African professionals.

Like Njoroge, Kangangi has a milk-delivery background, yet this is a man who has always had a desire to improve his life; he taught himself to read, write and speak English after being taken out of school by his impoverished mother. Now Kangangi is determined to show the world his cycling abilities and, with it, the broader sporting capabilities of his home nation.

“I am proud to be cycling in Europe as a Kenyan and I want to show the world what Africans can do,” says Kangangi, who is co-captain of the Kenyan Riders, alongside Samwel Mangi. “The race course is seriously tough but I am determined to give everything. If we do a really good job, this can help us get more sponsorship and support.”

According to Kenyan Riders coach Simon Blake, this something that is essential if the sport is to grow across the country. “Bicycles are part of the Kenyan culture but so far they are used only as a utility tool,” he says. “There is no established racing scene in Kenya and racing there is at such a low level compared to where we want to be in the future. We have to go abroad for practice but unfortunately that costs heaps of money.”

In preparing for the Commonwealth Games the team have had to work without a mechanic. The riders, therefore, have had to largely look after themselves, which has included taking delivery of their time-trial bikes, which only arrived in Glasgow this week.

Yet Njoroge, Kangangi and Ajiko feel sure they can make an impact. “The world has to watch out,” Blake says. “In five to 10 years it will be Africans dominating the big tours.”

10 years ago

West Africa Ebola outbreak grabs attention of UK

Lagos health commissioner Jide Idris (centre), Nigerian Centre for Disease Control director Professor Abdulsalam Nasidi (left) and special adviser to Lagos state governor Yewande Adeshina discuss the Ebola outbreak during a briefing in Lagos on July 28 2014. (AFP)

The Ebola outbreak in West Africa poses a “very serious threat” to Britain, Foreign Secretary Philip Hammond said on Wednesday, as England’s public health authority warned that the virus was out of control.

Hammond was to chair a meeting of Cobra, the government’s crisis response committee, to assess Britain’s preparations to cope with any possible outbreak of the disease.

The department of health confirmed that one person in Britain has been tested for Ebola, but the tests proved negative. Reports suggested he had travelled from West Africa to central England.

Health professionals have been warned to be vigilant for signs of the deadly virus.

“As far as we are aware, there are no British nationals so far affected by this outbreak and certainly no cases in the UK,” Hammond told Sky News television.

“However, the prime minister does regard it as a very serious threat and I will be chairing a Cobra meeting later today to assess the situation and look at any measures that we need to take either in the UK, or in our diplomatic posts abroad in order to manage the threat.

“We are very much focused on it as a new and emerging threat, which we need to deal with.”

There have been 1 201 cases of Ebola and 672 deaths in Guinea, Liberia and Sierra Leone since March, according to the US Centers for Disease Control and Prevention.

Ebola can kill victims within days, causing severe fever and muscle pain, vomiting, diarrhoea and, in some cases, organ failure and unstoppable bleeding.

Dr Brian McCloskey, director of global health at Public Health England, said the body was closely monitoring developments in West Africa.

“It’s clear the outbreak is not under control,” he said.

“The continuing increase in cases, especially in Sierra Leone, and the importation of a single case from Liberia to Nigeria, is a cause for concern as it indicates the outbreak is not yet under control. We will continue to assess the situation and provide support as required.

“We have alerted UK medical practitioners about the situation in West Africa and requested they remain vigilant for unexplained illness in those who have visited the affected area.”

But he added that “the risk of a traveller going to West Africa and contracting Ebola remains very low, since Ebola is transmitted by direct contact with the blood or bodily fluids of an infected person”. – AFP

10 years ago

Rape: A weapon on the battlefields and in the suburbs

Women take part in a campaign at the hospital ‘Heal Africa’ which advocates an end to sexual violence and rape against women, and complications which arrive from this, in Goma, DRC. (Pic: AFP)

American actress Angelina Jolie and British Foreign Secretary William Hague hosted a War Zone Rape Summit in London last month. Officially named ‘the Global Summit to End Sexual Violence in Conflict’, it sought to highlight and combat the use of sexual violence against women and children within war zones.

The event was the biggest of its kind and brought together thought leaders, policy makers and change makers from around the world. The issues raised were especially relevant, given the current Boko Haram situation. Around two hundred Nigerian school girls who were abducted by the Islamist group on April 22 are yet to be found.

One of the key points of the summit was that during conflict it is not just guns causing destruction, but the penis. In times of war women are raped at an alarming rate as ‘all laws are suspended’ and anything goes.

Africa delegates featured prominently and many of the cases highlighted were from the region. African Union Commission chairperson Nkosozana Dlamini Zuma, speaking on one of the panels, stated that there must be zero tolerance of sexual assault within battle zones.

As part of its #ENDViolence campaign, Unicef has shared some statistics on sexual violence against women and children: in the Democratic Republic of Congo an average of 36 women and children are raped every day. In Somalia, 34% of rape survivors are children under the age of 12. And in war zones these statistics are sketchy at best as hordes go unreported because the channels to report are often destroyed in conflict.

It is well documented that women in Sierra Leone and Uganda have been subjected to rape, sexual slavery, and other forms of sexual abuse as well. There is a clear mandate to speak out on this. It has reached a point where sexual assault in countries such as Liberia and Cote d’Ivoire are posing a threat to justice, with this form of violence being a ‘characterising feature of war’.

But why is the brutality of rape only highlighted during war when the act is no less brutal on a Saturday night in a peaceful suburb? Why are you an animal in the combat zone and a man asserting himself in the city?

Rape: present during war and peace
At the summit, Nobel laureate Leymah Gbowee said that ‘Sexual violence in war is directly related to sexual violence in peace’ .

The problem is as prevalent across the continent, although it doesn’t receive an equal amount of attention in all countries. Take Kenya, which has had to deal with a legacy of British troops raping women over a period of 30 years. This institutionally imposed silence was broken by Amnesty International in 2003 when it emerged that over 650 women had been raped by British soldiers as long ago as 1965 and as recently as 2001.

The majority of these cases were gang rapes perpetrated by men during training sessions, not during times of war.

Sexual violence as a societal weapon
Sexual violence as a weapon is not only something confined to the battlefield and understanding this could go a long way towards reconceptualising the prevalent idea of ‘victim blame’. If someone pulls a knife on you people will not automatically look at what you did to ‘deserve’ it; the same should hold true of sexual violence, and not only during war.

Most people are aware that rape is never about the sexual act (the need for sex per se), but about asserting dominance. Men have supposedly romanticised the idea of rape, equating it to notions of ‘machismo’. This is in no way to excuse rape, humans after all separate ourselves from being beasts by resisting and restraining destructive primal urges.

Within the private realm sex is seen as a weapon, a tool that speaks to a balance of power and is seen more as a power struggle between two people and not as serious attack. Often cases involving sexual assault either fall to the wayside or the perpetrators receive ridiculously inadequate punishments, such as cutting grass.

In the home there are certain power dynamics that take place in terms of sexual relations between spouses. For one, to be married to another is to essentially lose the ability to state when and where sexual relations take place. This power struggle in the home can be embodied in the phrase: ‘There is no such thing as marital rape’. This is a view infamously held by the Chief Justice of South Africa Mogoeng Mogoeng, who came under fire for downplaying domestic violence in his judgments.

The idea of sexual assault as a weapon extends to sexuality as well.

Corrective rape in South Africa is rife. This act is based on the premise that a man can change the sexuality of a lesbian woman through the act of forcibly sleeping with her thus making her ‘see the light’. The idea that one can be changed or altered through a forced sexual act is again using sex as a weapon.

A move away from victim blame
The call for empowerment of women is tied extremely tightly to the notion that rape is not the fault of the person who is assaulted, that they need not carry that burden. Sexual assault needs to be seen in light of any form of physical assault. No one questions someone who has been shot, and one shouldn’t be questioned as to the ‘role you played’ in your rape.

Summits such as this one highlight the aggressive nature of sexual assault and show it in a new light and context: as something outside the sexual realm and akin to a stabbing or even a shooting. It highlights the violence behind the act.

The call for a global shift from that of impunity (especially in the case of those involved in sexual assault within conflict zones) speaks to the severity of the situation. Sexual assault is not just about sex, one person wanting it and one person not. It has a far more vicious element to it which is often left out of the global rhetoric on the subject.

Sexual violence is violence, not just on the battlefield. It is not asking for it in one place and a weapon of mass destruction in another. Seeing it in the context of conflict shows the severity and brutality of the situation, a lens that should be applied across all cases, not just ones in which the man doing the raping is carrying an AK-47.

Kagure Mugo is a freelance writer and co-founder and curator of holaafrica.org, a Pan-Africanist queer women’s collective which engages in activism and awareness-building around issues of African women’sidentity, experiences and sexuality. Connect with her on Twitter: @tiffmugo

10 years ago

French winemaker Castel bottles its first Ethiopian wine

The grape names – merlot, syrah, cabernet sauvignon, chardonnay – are distinctly French, but the label on the Rift Valley wines is surprising: made in Ethiopia.

The French beverage giant Castel, one of the world’s biggest producers of wines and beers, is raising a glass to its first production of 1.2-million bottles of Ethiopian Rift Valley wine.

The African state’s former president Meles Zenawi, who died in 2012, encouraged Castel to develop vineyards in Ethiopia, one of Africa’s poorest countries, as a way of improving its image.

Half of the bottles are destined for domestic consumption and half for export to countries where the Ethiopian diaspora have settled, though 26 000 have already been snapped up by a Chinese buyer.

Lab equipment for testing wine is pictured at the Castel winery outside the town of Ziway, central Ethiopia. (Pic: AFP)

Although Castel does not expect its Ethiopian wine business to make a profit until 2016, it hopes to more than double production to 3-million bottles a year. Though Ethiopia is better known for its production of another drink, coffee, Castel says the African country has the potential to rival the continent’s main wine producer, South Africa.

“It’s not that difficult because the climate is good and it’s not too hot,” Castel’s Ethiopia site manager, Olivier Spillebout, told Agence France-Presse. “Exports are small now, but year after year they will grow.”

The company has produced a better quality wine called Rift Valley, selling in Ethiopia for the equivalent of €7 (£5.50) and a grape-mix wine called Acacia, retailing at the equivalent of €5.

It is not the first wine to be commercially produced in Ethiopia. Vineyards established near Addis Ababa and in the south-east by Italian troops who occupied part of the country from 1936 to 1941 were later nationalised, then privatised, and are now run by Awash Winery, which boasts Live Aid founder Bob Geldof as a director.

Landscape perfect for grape growing
Wine experts say parts of Ethiopia’s diverse landscape, which include high plateaux and verdant valleys as well as six climatic zones, are perfect for grape growing.

Pierre Castel, the billionaire founder of the family-run group, could see the potential in the sandy Ethiopian soil, the short rainy season, cheap land and equally cheap and abundant labour for wine production. The Castel company had been producing beer in Ethiopia since 1998 after buying the state-owned brewery called St-Georges.

After striking a deal with the Ethiopian government in 2007, Castel immediately dispatched the company’s best French experts who spent seven months looking for areas for the vineyards.

They finally chose a site 160km to the south of the capital, near the town of Ziway, where 750 000 vines, brought from Bordeaux, were planted over 125 hectares by 750 local workers. Merlot, syrah and cabernet sauvignon grapes were chosen for the reds that make up 90% of Castel’s Rift Valley production, and chardonnay grapes for the white wines.

Women pick grapes at the vineyard of the Castel winery outside the town of Ziway, central Ethiopia. (Pic: AFP)

A member of the Castel team, who did not want to be named, told the Guardian the aim of the company’s “considerable investment” in the Ethiopian vineyards was to produce a wine of international quality.

While there had been several grape harvests since 2007, this was the first time the company had bottled the wine produced.

“We have used the same savoir faire we used on our French vineyards and as we do on those in Morocco and Tunisia, to produce this Ethiopian wine,” he said. “Our objective is to produce a wine worthy of international standards so we preferred to have multiple trials before engaging in the process of commercialising the wine.”

He said the wine produced was “aromatic and fruity”, with a pleasant, middle-of-the-road taste.

A delighted Ahmed Abtew, the Ethiopian industry minister, said in a recent interview: “People who live outside Ethiopia remember the drought a decade ago, but when they see a wine labelled ‘Made in Ethiopia’ … their whole attitude immediately changes.”

Growing grapes in the Horn of Africa is not, however, without its hazards and French winemakers lament their vines being devastated by disease and a series of catastrophic hailstorms.

Castel’s Ethiopian vineyards are also surrounded by a two-metre-wide trench to deter pythons, hippopotamuses and hyenas.

10 years ago

Open letter to the anti-TV brigade and my Nollywood people

A black 4 x4 rolls down a driveway to the sound of D’banj’s Oliver Twist and stops outside the palatial triple storey residence. The cast’s names unfold: Desmond Eliott. Rita Dominic. Mike Ezuruonye. The driver turns off the engine. As he opens the car door, D’banj declares:

I have a confession
See, I like Beyonce!
I like Rihanna, she dey mek me go gaga
I like Omotola, cos people like her….
…Oliver, Oliver Twist!

The young man — played by Mike Ezuruonye — steps out of the car. With calculated chill, he adjusts his trendy aviator sunglasses. The camera zooms in on the Gucci logo, then lingers on the trendy haircut that would get a nod of approval from the Kinshasa’s sapeurs; those gentlemen whose renowned stylishness is encoded in their very name: Societe des Ambianceurs et des Personnes Elegantes (Society of Ambience-Makers and Elegant People). A beautiful young woman in impossibly high heels emerges from the passenger side, as D’banj declares his liking for Genevieve. Her makeup alone is worthy of a Vogue magazine cover. The man puts his hand around her waist, and looks into her eyes with a loving enchantment that would be perfect for a John Legend video. The couple walks into the opulent lounge, boasting the requisite plush lounge suite, thick carpets, huge flat-screen TV, and artworks on the walls. Seated alone is a well-dressed older woman, her turquoise head-wrap intricately folded like an origami. “Good-morning mama,” the young man greets cheerfully, arm still around his lover. The camera zooms in on the origami head, as she gives him ‘The Look.’ We sit back and wait, knowing what is coming seconds before it is delivered: the multi-syllabic Nolly-sneer….

* * *

Hi. My name is Grace and I own a TV.

As a lapsed Catholic, I know a thing or two about confessions. You know what they say: Catholic guilt, like Catholic marriage, is truly a for-better-or-worse situation. You can take the Catholic out of mass but you cannot take the guilt out of the Catholic. So, like D’Banj, I have a confession to make: I watch the news and sports, but my main TV viewing diet is soapies and Nollyflicks. Yes, including 7 de Laan, Rhythm City and Nollyflicks with titles like Adam’s Apples and Daughters of Eve. I realise this is a dangerous confession for a wannabe Kleva Black, because we are supposed to have our noses perpetually buried in Slavoj Žižek’s or Cornel West’s latest thoughts, as fantastic jazz plays in the background. Naturally, we are not supposed to know who Sarkodie is; never mind the latest ghetto kids’ choreography of Ugandan hitmaker Eddy Kenzo’s Jambolee. And we definitely aren’t supposed to be pondering how to transcribe that trademark Nollywood sneer-and-click combo, which has inspired an entire range of memes.

Look, in my defence, in between trying out these Jambolee moves and Nollywood sneer-clicks, I read books and listen to jazz, in the interests of keeping peace with the jazz snobs and literati in my life. I am currently bonding with Ahmad Jamal and reading Kenyan Caine Prize winner Yvonne Owuor’s Dust. But I remain guilty of owning and watching a TV. This is a serious indiscretion, which might explain why a few second dates never materialised in my dating past. Perhaps I should not have betrayed such enthusiastic knowledge of Jason Malinga’s marital problems on Generations, or such passionate irritation at Gita McGregor’s perpetual scheming on 7 de Laan. Or maybe it was my sincere puzzlement at the murder mystery in Thathe, implicating the Great Warthog of Luonde, He-Who-Says-Die-and-I-Perish.

While we are at it, what’s the deal with the duplication of stories across South African soapies? I see now the missing Malaysian plane that first resurfaced on Rhythm City with Siyabonga Twala’s stylish character, DH Radebe’s private jet disappearing, has now reappeared and disappeared again on Isidingo. Yes, it is another stylish black businessman’s private jet: Vusi Kunene as Jefferson Sibeko, disappeared somewhere off the Angolan coastline. I am guessing the scriptwriters don’t know this, but some of us are equal-opportunity viewers (to borrow a phrase from my friend who once defended his polyamorous tendencies by explaining that he always made it clear to the women in his life that he was an equal-opportunity lover). Unlike my bank which recently demanded financial monogamy from me, by declaring they wouldn’t handle some of my transactions unless I stopped ‘seeing’ my other bank; some of us have dispensed with LSM monogamy, and we are now equal-opportunity viewers who gallivant across SABC and DStv’s audience Bantustans. And I can tell you this much: when you start on an amnesia and stolen identity story-line in Diepkloof at 18h30, by the time you get to the Thathe flavour of this amnesia on Muvhango at 21h20, you have just about had it with the amnesia angle, in all its manifestations. While we are at it, I am this close to organising a Red October campaign in protest against Paula van der Lecq’s (Diaan Lawrenson) use of the word ‘phantasmagoris’ on 7 de Laan, and KK Mulaudzi’s trying-too-hard-to-be-hardcore robotic laughter on Muvhango.

But I must distance myself from The Bold and the Beautiful. There is a way in which if you started watching The Bold from episode one, when you were six sizes smaller, the sight of Brooke Logan Jones Forrester (x7) walking down the aisle with her daughter’s husband’s father for the umpteenth time is harmful to your health. It is not so much the many tribes of primary, secondary and tertiary incest involved, but the deep shame that you ever nursed a committed teenage crush on Ridge Forester. As did half your school. The other half was busy ogling the NBA’s Dennis Rodman and his peroxide-blond head. I wasn’t a Rodman fan, but I supported the San Antonio Spurs with the same passion I now dedicate to the Super Eagles of Nigeria, the Ghana Black Stars, the Indomitable Lions of Cameroon, the Desert Foxes of Algeria and the Elephants of Côte d’Ivoire. What? Too many teams? No, friend. When it comes to soccer, I am an equal-opportunity Pan-African. Sure, I got that memo about all my Foxes, Eagles, Elephants, Lions and Stars being whipped out of Brazil before they even finished unpacking. This, despite the fact that many of Europe’s soccer leagues would have a crisis of SA platinum-belt proportions if all their players of African descent decided to go on a prolonged strike. Like all matters Pan-African, supporting African soccer is not for part-time Africans. It takes the loyalty of an Arsenal or Bafana fan, and the patience of biblical Job.

So, you can see why I have no energy for an anti-TV brigade which has somehow convinced itself that not having a TV makes it a special breed of really clever, studious, intellectual people. I am generally able to ignore this lot with the same indifference I reserve for those who think my Christianity is questionable because their limited imagination cannot process the idea of a dedicated Christian who does not go to church and is partial to Windhoek lager. What I can’t ignore though, are people who build careers studying popular culture or producing content for these platforms while simultaneously holding TV, radio, and magazines in such contempt. What brand of dishonest schizophrenia is this?

But I digress. The moral of this open letter is really an appeal to my people in Nollywood. Listen: That situation of sunglasses indoors? E no fine oo. E shady. Abeg, mek we stop this nah.

Sincerely,

A TV-owning equal-opportunity Nolly-fan

Grace A. Musila is a Kenyan who studied in South Africa.